YearsBestTiconderoga

The Year’s Best Australian Fantasy & Horror 2015 is out, and includes my short story “A Hedge of Yellow Roses”, which was originally published in Hear Me Roar, and also won a Ditmar!

“A Hedge of Yellow Roses” is the story of Vermeille, a vagabond knight (perhaps), who bears three messages out of a kingdom torn by revolution, and on the way stumbles across an old farmhouse and its enchanted, enchanting residents.

The Year’s Best also has all these other most excellent reasons for buying it:

 

  • Joanne Anderton, “2B”
  • Alan Baxter, “The Chart of the Vagrant Mariner”
  • Deborah Biancotti, “Look How Cold My Hands Are”
  • Stephen Dedman, “Oh, Have You Seen The Devil”
  • Erol Engin, “The Events at Callan Park”
  • Jason Fischer, “The Dog Pit”
  • Dirk Flinthart, “In the Blood”
  • Kimberley Gaal, “In Sheep’s Clothing”
  • Stephanie Gunn, “The Flowers That Bloom Where Blood Touches Earth”
  • Lisa Hannett, “Consorting With Filth”
  • Robert Hood, “Double Speak”
  • Kathleen Jennings, “A Hedge of Yellow Roses”
  • Maree Kimberley, “Ninehearts”
  • Jay Kristoff, “Sleepless”
  • Martin Livings, “El Caballo Muerte”
  • Danny Lovecraft, “Reminiscences of Herbert West”
  • Kirstyn McDermott, “Self, Contained”
  • Sally McLennan, “ Mr Schmidt’s Dead Pet Emporium”
  • DK Mok, “Almost Days”
  • Faith Mudge, “Blueblood”
  • Samantha Murray, “Half Past”
  • Jason Nahrung, “Night Blooming”
  • Garth Nix, “The Company of Women”
  • Anthony Panegyres, “Lady Killer”
  • Rivqa Rafael, “Beyond the Factory Wall”
  • Deborah Sheldon, “Perfect Little Stitches”
  • Angela Slatter, “Bluebeard’s Daughter”
  • Cat Sparks, “Dragon Girl”
  • Lucy Sussex, “Angelito”
  • Anna Tambour, “Tap”
  • Kaaron Warren, “Mine Intercom”

 

 

May-2017-Calendar-Detail1.jpg

For the May calendar, a folly of wyverns. This calendar was made with the support of my patrons on patreon.com/tanaudel, and if you’d like to help bring out future months, that would be wonderful!

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You can get the calendar early, there’ll be sneak-peeks of future projects, printable stationery… If I get enough support, I may even be able to restart the Dalek Game.

May 2017 calendar - art

In the meantime, here is May, to print pre-coloured or for colouring in.

May 2017 Calendar - ColourMay 2017 Calendar - Lines

Scarlet - Color Anthropology

A wandering and selective history of the colour scarlet.

This is my contribution to Light Grey Art Lab’s current exhibition “Color Anthropology“. The original is a scratchboard piece, with the colour added digitally.

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Many thanks to my patrons, who helped me decide on colour placement when I lost the ability to decide!

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There is some stunning art in the exhibition (Lincoln Green, Orange and Saffron are my favourites), which you can check out online if Minneapolis isn’t on your itinerary. The art is also available as prints through the Light Grey shop.

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April Calendar - detail

Since it is fine weather for ducks here in Brisbane, this is a very fitting calendar! You can support these calendars through patreon.com/tanaudel – my thanks to all the patrons who have made them possible so far.

“The Goose Girl” has long been one of my favourite fairytales, although it is one of the few with quite ordinary waterfowl. It’s more common for wicked usurpers to go around changing true royalty into ducks, a habit I first encountered in “The Three Dwarfs in the Wood”.

April Calendar - detail

Sometime’s it’s swans.

April Calendar - detail

But my favourite waterfowl (today) are the plain but helpful ones of “The Enchanted Princess” (also featuring bees and ants that pay their debts).

April Calendar - detail

I read all of these first in two astonishingly-illustrated volumes of A Treasury of the World’s Greatest Fairytales, edited by Helen Hyman and with illustrations from Fratelli Fabbri Editori, although the individual illustrators aren’t identified.

You can download the images below to print at home (either pre-coloured or to colour in yourself). And if you do feel like throwing a dollar or two in the hat at patreon.com/tanaudel, I would be very grateful (and if you support at $3+ a month, you get the calendar early).

April Calendar ColourApril Calendar Lines

Into the Woods - TOBEYOU exhibition

This is a cut paper piece (c 8×8 inches) that I made for Light Grey Art Lab‘s exhibition TOBEYOU: personal narratives, tales and memory.

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It is called “Into the Woods”, and is about growing up reading fairytales when you live in the Australian bush. The protagonist of the illustration is far more willowy and on-trend than I ever was when I did this.

The original is for sale at Light Grey Art Lab (in Minneapolis, and on their website), along with many, many other beautiful works of art.

I also made a few cyanotype prints (sunprints) of the illustration.

Into the Woods - TOBEYOU exhibition

 

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Here is the cover art for the final episode of Season 2 of Serial Box’s serialised prequel to Ellen Kushner’s Riverside novels, Tremontaine!

Earlier posts:

The final episode of a season is almost as difficult to illustrate as the overall season cover. How to represent what happens in this particular episode, while being true to the overall arc of the season and catching the right elegiac or hopeful note…

As a result, there were a lot of thumbnail sketches.

Tremontaine S2 E13 thumbnails

We went with the image of a Kinwiinik ship taking to the waves. Here are the final pencils.

Tremontaine S2 E13 pencils

And at last, alas, the finished cover (I’m particularly fond of the poppies). The final layout and design is, as ever, by Charles Orr.

Tremontaine S2 E13 final cover

I hadn’t yet read any of Frances Hardinge‘s novels when Gili Bar-Hillel of Utz Books asked me to illustrate the cover for the Hebrew translation of The Lie Tree. And oh, it is so very good!

Here are a few of my first thumbnail concepts for the cover.

The Lie Tree - thumbnails

The novel is a beautiful combination of gothic mystery, scientific discovery, faith, lies, ambition, hubris and secrets. Part way through I realised that it felt like Matthew Arnold’s poem “Dover Beach”, and then a particularly apt sentence sent me back to the beginning to check for a nonchalant line that convinced me this was entirely deliberate on Hardinge’s part.

Here are the pencils. We decided to go with more open vinework around the title.

The Lie Tree - pencils

I then cut the final image out of black paper, and sent it through for the designer, Dor Cohen, to do wonderful things with.

The Lie Tree - cover

The Hebrew translation of France’s Hardinge’s novel The Lie Tree, translated by Yael Achmon, is now available for pre-order from Utz Books: The Lie Tree.

Thanks to my supporters on Patreon who help give me time to put together these process posts (and who get to see projects like this early).