I divided the tools I took into two bags: a large ziplock bag in my checked luggage with scissors, brushes, watercolours and so forth; and a smaller bag in my handbag with markers, prismacolors, unipins and mechanical pencil. The glue stick travelled between this smaller bag and my clear-onboard-toiletries-and-liquids-for-inspection bag according to whether or not we were airborne.
And in the end I used only:
- the monochrome markers
- the prismacolour pencils
- the mechanical pencil
- stickers
- glue stick and
- scissors.
The first two were unexpected. I have almost always drawn in pencil or pen. Markers were still unfamiliar territory, unwieldy and permanent and blending poorly. I disliked coloured pencils – using them, what they could and couldn’t do, what art in coloured pencil looked like.
They were, however, the most travel-friendly: light, portable, not messy, quick to use, bold, handy. Both travel in my handbag still and if I am again travelling light, I might leave behind all the excess security blanket of other media.
The last two were used for cutting things up and sticking things in, of which more anon.
The sketchbook is here: USA 2007 Moleskine.
Part 1 is here: What was lugged.
To come:
- Part 3: What was stuck.
- Part 4: What was organised.
- Part 5: What was learned.
That “USA 2007 Moleskine” is the BEST travel journal I have ever seen. If I had a hat it would be off to you.
Thanks, Will!
I am hoping to post links to other people’s journals at the end of this series, so you may want to revise your statement then :)
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