The Hidden Art of Homemaking – Edith Schaefer: I’ve seen one edition titled simply The Hidden Art because the original title is the worst thing about the book. It limits both audience and scope. The book is about the right, duty and the joy of using inclinations or talents in little ways every day. It has chapters on music, art, cooking, reading, writing – and argues graciously and appealingly for the beautification of life and the world in little ways, using desires and gifts to make wherever you are home, for everyone. It was written in the ‘70s and although that shows (hanging mobiles, anyone?), it is one of the few books written by a Christian woman I have read that wasn’t about being married and having children. She writes about people living alone, married, in share houses, in flats and tents, staying in hotels or student accommodation, pursuing careers and giving them up, building things with their hands and their minds, being of service without being servile. It speaks about people who have only inclination as well as those who have talent. Nor was it focussed solely on the self or on other people – one of the lines I liked best was how “you are the environment in which other people live.” It was simple and broad-reaching and lovely and I find myself remembering and applying little things.
A Civil Contract – Georgette Heyer: One of her regencies, but not a comedy and not entirely ‘romantic’, it is a novel about a marriage of convenience between two people of very different backgrounds, and about learning to be content with a situation which is less than ideal, and yet far more practical and real than the ideal. I’m not sure entirely how successful it was – I find myself liking it for the themes it attempted rather than the success of the execution. Don’t read it expecting one of her mad, break-neck, light, melodramatic tales, but it was pleasant enough, and different and a little sad.
Flying Nurse – Robin Miller: A cheerful, eventful autobiography by the ‘Sugar Bird Lady’. Robin Miller trained as a nurse before obtaining her pilots licence, and this is an account of her early flight experience, of ferry flights from Europe and America, unusual patients, the early days of the Royal Flying Doctor Service, adventures in Western Australia and the air. She has an ear for anecdotes and for the small adventures that other authors tend to glide over, such as what provisions are made for relief on long solo flights. It was full of laughs, but also a fascinating portrait of a time and woman who although in a ‘man’s job’ refused to make concessions on that basis and undertook aircraft maintenance in short dresses, delivered babies midflight, talked rooms full of deeply suspicious miners into taking a pink medication served on sugar lumps, and who loved the huge isolated, conflicted, changing areas that she served. Robin Miller – Wikipedia. Royal Flying Doctor Service – Wikipedia.
Beasts in my Bed – Jacquie Durrell: Jacquie Durrell was the first wife of Gerald Durrell (author of My Family and other Animals among many other things – September 2008 review). This picks up with their first meeting, their hasty marriage, the painfully-written, immensely successful books (Gerald did not consider himself a writer), travelling in Africa, South America and Australia, travelling by ship with menageries, starting a zoo, beginning to make wildlife documentaries for television. It lacks the effortlessness and beautiful detail of Gerald’s own writing (although he keeps a running commentary in the footnotes), but it is interesting and light-hearted.
Book Chains: I’ve been rabbiting on to people about how I love accidental chains of books (it has to be at least semi-accidental, otherwise it’s a course of study). Flying Nurse, a garage sale acquisition, features in the longest so far: I read Nancy Bird’s autobiography My God, it’s a Woman earlier this year (January review); she talks about someone called the ‘Sugar Bird Lady’ and had her first flying lesson with Sir Charles Kingsford Smith and was married by John Flynn who founded the Royal Flying Doctor Service; I picked up The Southern Cross Story (March review) which was by Kingsford Smith, and happened to be bundled with HC Miller’s Early Birds about early Australian aviation (also in the March review); reading Flying Nurse I realised the author was not only HC Miller’s daughter, but she was also the Sugar Bird Lady (she flew the polio vaccine, which was given on sugar lumps, around Western Australia) and flew for the RFDS; I then discovered that her mother was Mary Durack Miller who wrote the Australian classic Kings in Grass Castles about the Durack family; while telling my sister this, I flipped through the book and found out it had either been signed by or belonged to Mary Durack Miller.
Wikipedia: Robin Miller; Nancy Bird; Kingsford Smith; John Flynn; HC Miller; Dame Mary Durack.
Writing and Nonfiction: I’ve been wondering lately about that divide – indistinct but definite – between non fiction which is merely interesting, and non fiction which rises above a mere recount of events and becomes… a story on its own terms, I suppose. It’s something to do with texture and richness, the techniques (but not the sole preserve) of fiction writers – not necessarily of ‘plot’ as it is known at any given point in time, but colour and scent and thought and flavour. Gerald Durrell’s My Family and other Animals (review) is so rich you can close your eyes and see Corfu, the haze of bees, the olive trees, the ocean, the crumbling villa, the antics of the animals, the hysteria of the household. Jacquie Durrell’s writing contained interesting accounts of endearing animals and intriguing people (I did like seeing the glimpses of Gerald’s family through the eyes of another!), but it was always just an account. Isabella Bird makes you intensely aware of the miseries of being cold and damp and fleabitten in Japan (October 2008 review), of the sensation and sights and smells of standing on the rim of a lake of lava at night in Hawaii. Dickens, except when observing the small comedies of shipboard life, gives an account of America that is intellectually interesting, but not compelling on another level. M. M. Kaye’s The Sun in the Morning is richly coloured as a box of paints, while A King’s Story is the most desperately dull piece of writing I have persevered with only because I knew it was meant to be interesting (he was at war! he crossed Australia in a train that turned over! he fell in love and caused a constitutional crisis – how do you make that dull?). I read a biography of L. M. Montgomery that was awful, but blessedly short, and am reading one of Yeo Thomas that feels like an espionage thriller (although I wish the author would translate the French quotes more often). So… no conclusions yet, just observations.
I love your book reviews.
I think the nonfiction interestingness factor has to do with whether the author is any good at his task. (Pure speculation ahead.) I think it’s a lot easier to get nonfiction books published that are badly written than it is fiction books, because the topic is sometimes what can sell the book to the publisher and thence to the reader, rather than the quality of the prose. There are a lot more people writing fiction books out there, and any old fiction story won’t get published just because it’s about, say, pirates. But a well-researched nonfiction book about a certain band of pirates is probably going to get published, even if it’s exceedingly dull.
Does that make any sense at all?
Oh, yes, and I agree.
I’m trying to put my finger on that dividing line between writing compelling (auto)biography, and writing fictionalised (auto)biography.
I loved Gerald Durrell’s books when I was in high school. I should get them again, for my own kids… except I don’t think I could bear to read them now. So much has already been lost and destroyed. How can I, in good conscience, give my children wonderfully written books by a man attempting to preserve creatures and wildernesses which have since been destroyed – which my kids will never, ever know or see?
It seems bitterly unfair.
Unfair and yet still an ark of sorts? I would rather have a memory – even if it is someone else’s – of good things that are gone.
If you liked Edith Schaefer’s book you might take a look at Out of the Saltshaker and Into the World by Rebecca Manley Pippert. In some respects the two books are quite different but I think there is a common essence (using one’s talents for the Kingdom) that makes them both appealing. (Apologies if I have mentioned Out of the Saltshaker before.)
Please keep up the book reviews as you can. Even if your blog did not have all that wonderful artwork I’d read it for everything else it contains!
Pingback: Best Books of 2009 « Errantry