This instalment of the Dalek Game is for C. S. Lewis’ The Horse and His Boy, the 2.95th (in internal chronology) of the Chronicles of Narnia.
Oh, I did not like that book when I was small and first in love with Narnia, and not for any of the reasons which may restrain some effusions about it. It was because it was out of the chronology, it felt wrong, it was hot and dry and urgent and belonged to the wrong sort of fairy tale world, and never touched on ours, and Peter, Susan, Edmund and Lucy were grown up and talking about political alliances, there were tombs…
It was, for me, an earlier experience like that of I Capture the Castle: by the time I was a few years older, The Horse and his Boy was my favourite of the Chronicles, and for the same reasons I had disliked it (and at the age I discovered Le Guin’s Tombs of Atuan) – because it was high adventure, chases across deserts and through bustling cities, stories of families and dynasties and separated twins, a glimpse of the wider world outside of Narnia, of keener hungers and cruelties, of convoluted stories, and people who told stories beautifully, of deceit and escape and reunitings, of dear characters briefly glimpsed as older and wiser (of the Pevensies on their first adulthood, and Mr Tumnus dancing).
Also, dramatic renactments of it involved carrying precariously-perched Lasaraleen Tarkheenas around on makeshift litters, which (if you were not playing Lasaraleen) was tremendous fun.
In other news: I love my new computer, although I now no longer have time to make a cup of tea while images are being cropped. I spent a beautiful morning talking tales (and receiving a private telling) from the enchanting Alexandra McCallum. She told me some Irish tales I did not know, but which may bring some elements of the prolonged work-in-progress together perfectly. I spent twilight sitting on the steps with Aimee reading Georgette Heyer aloud and drinking rosella tea. As far as I can tell Aimee is currently making a dream-team of actors she would like to see play Doctor Who.