This is a quick comic treatment of a scene from a fairytale – pen and ink with digital colouring (experimenting further with limited tones). I’d expand the fairytale further, but it taps into so many you can probably invent a satisfactory setting for the scene – that is one of the beauties of the rules of fairytales (and, as Chesterton would have it, the ethics of Elfland). The two sketches at the bottom are of the same character at other stages of her story.
The header for May, below (and, if you are reading this in May, above) is a side-effect of gazing deeply into Pauline Baynes illustrations, for nefarious purposes to be revealed in the fullness of time.
In other news: I have paid for my tickets to North America in November! Rough itinerary is: Erie, Toronto, Altoona, maybe-possibly-Washington, Lafayette (Denver? I need to work out where my grandmother lives), San Francisco, so if you lurk along that route or go to World Fantasy or Illuxcon you can jump out and force coffee upon me (consider it a pre-emptive strike, as I am likely to do the same to you). Also I have just finished erasing all the pencil lines from a book cover and 13 internal spot-illustrations, and am avoiding scanning an A3 picture on an A4 scanner. Also I have started, wincingly, a very preliminary read-through of my LAM (Large Amorphous Manuscript). Also there is a baby gecko (its body is less than an inch long) sitting on my desk watching me. Always watching…
I know very well the feeling of avoiding scanning A3 pictures (Oliver’s kindergarten drawings I am trying to preserve) on an A4 scanner! Argh!
Isn’t it awful!
Header: The horse looks like it wishes it were tied up over the other side of the header – the vines look tasty…
Missed a trick – I should have said ‘hitched to the other side’. Oh well.
:) The dreadful dropped pun.