Two new covers to show you! One… not so new and one not quite out yet. But soon!
The first was the cover for Small Beer Press‘ paperback release of Karen Joy Fowler‘s collection What I Didn’t See. I remember being dragged along to see The Jane Austen Bookclub and realising abruptly that into what had boded to be a very pink movie was slipped a suspiciously accurate side-glimpse of a science fiction convention, a discussion of famous women science fiction authors, and a scene which prompted my Grisham-reading sister to ask if I had any Le Guin novels. Fowler, I realised, was one of us.
When I was asked to do this cover I was hopping around the house with delight. It is a superb collection. Fairytales of holiday communities, tragic conspiracies of scientific expeditions, tales which might be just a story and might be – might be – something beyond the delusion of the characters. My favourite story, The Dark, I love so much that I mentally insert it into all collections of stories that I like and have to trace it back to this collection by the flea I drew for the cover. It is slow, mysterious, hair-raising – the best and saddest of unsolved-mysteries.
Here are the first sketches – working out general direction and technique (the examples on the right include ink and cut-paper figures):
I had intended to do a cut-out design for the cover, but Small Beer Press were happy with the sketch as it was in this more detailed layout-test:
I tried a few different colourways:
In the end we settled for the original, simple black-and-white design.
And then the book arrived and – it was printed with gloss spots and embossing in all black. So, so hard to get a decent photo of, and absolutely gorgeous, like something out of a gothic candy store. My first embossed cover! And a very excellent book.
There too is the hard copy of Sofia Samatar‘s novel A Stranger in Olondria, the cover process of which I posted about here.
I need this book…
That cover design really does lend itself to embossing….wow. I think it looks fantastic.
Such marvelous work. And I’m so excited for you that you got to illustrate it! (Although unsurprised.)