Scholarships and Access Fund
To mark its 25th anniversary, the wonderful Queensland Writers Centre (which among many other things runs the Australian Writers Marketplace, if:book and GenreCon Australia) is launching the inaugural Scholarships and Access Fund to provide funding and travel support for writers from diverse backgrounds. If you’re able to help us with that, please make a pledge to 25/25/25 on Pozible before Wednesday 6 May 2015. (Full disclosure: I’m on the board of QWC)
Your Friendly Neighbourhood Reaper
Friend and clever, eyebrowed, sweary person KHR Smith is writing a crowd-directed story for her Masters project. She needs input (ideas –>story; money–>charity). More on her Patreon here: The Reaper Next Door (language warning).
- Burial Rites – Hannah Kent: A historical novel about Agnes Magnusdottir, the last woman executed in Iceland. Such a small, slow, bleak, beautiful book and history. Also some interesting Anne of Green Gables parallels, which is not at all to say that if you like Anne you should read this (you should read it, just not for any similarity!). I’m curious, however, to know if anyone else thought this.
- A Darker Shade of Magic – V E Schwab: (One of several I grabbed from Tor based on the cover) The structure of the beginning of this novelreminded me of Diana Wynne Jones. It didn’t unfold or particularly explain, just… started, and then went on, so the whole book felt on the cusp of Telling You What The Plot Is And Tipping Into The Middle. This gave it a sustained, off-balance momentum which I always find both puzzling and enjoyable (it’s something that’s usually discouraged but high on my wish list). Schwab also starts with the point of view of someone not of our world looking at our world (or something like it) and just assumes the divided state of the worlds is normal. This is something else DWJ trained me to like.
- Thus Was Adonis Murdered – Sarah Caudwell: The first and, as I read them out of order, the last. Alas. Such a delightful balance of classic mystery/comedy, and unexpected, understated messing-with-stereotypes.
- Am I Black Enough for You – Dr Anita Heiss: Part memoir, part musing on identity (and how others perceive it, particularly the Aboriginal identity of an academic city girl), part story of the growth of an academic and author. Both this and Palmer’s book (below) had some interesting intersections on the themes of (a) speaking up and (b) listening.
- The Art of Asking – Amanda Palmer: I really enjoyed this, and have recommended it to people for very different reasons: as an account of controversy (whichever side of several you fall on), as an artistic memoir, as biography, as a bohemian fantasy, as a crash-course in creative business, to read as a novel, for some unexpected Sayers parallels in the themes of growing up and negotiating adult relationships.
- Gobbolino, the Witch’s Cat – Ursula Moray Williams: A classic. I may have cried at the end.
- Cinderella: Just nice, in the nicest way. Terri Windling pointed out this review by Grace Nuth, “Have courage and be kind”, which points out the charming kindness and politeness. It sounds like a small thing, but as KHR Smith pointed out, we didn’t realise until we came out of the cinema that we’d been missing it.
The little gouache Cinderella painting above is available as a print on RedBubble.
For Illustration Friday this week, a little test piece, comparing techniques for an upcoming project. Pen and ink with digital colour for the first two (shadow/shadow and colour), watercolour for the last.