
22-29 Jan on Twitter etc
- This was Monday: http://www.petermball.com/really-its-one-of-the-best-bits/, and it was and is one of the best bits.
- This may be your last chance to get hold of one of the sold-out hardbacks (the pretty ones, with all the foil under the dust jacket) of Angela Slatter‘s World Fantasy Award winning The Bitterwood Bible and Other Recountings (with 83 tiny illustrations by me): It’s an international Goodreads giveaway, open from 27 January until 12 February.
- A reminder of the long-ago, beautiful happening that was picturebookreport.com – you may recognise some of the names involved! This was where I fell in love with Kali Ciesemier’s vision of Garth Nix’s Sabriel and with Sam Bosma’s art for The Hobbit, and one of the earliest examples that really had an impact on me, of people Not Sitting On Their Hands But Putting Things Out In The World (quote more or less from Karen Beilharz’s original Plan to Take over the World, which was another example at roughly the same time). Putting Things Out In The World is a very important artistic practice!
- I learned a lot at the time from Sam Bosma’s posts on the process of illustrating The Hobbit – just this week I went back to find his description of working with colour flats to explain them to another artist. But whether you love The Hobbit, beautiful finished artwork, process posts or lots and lots of sketches of goblins, that series of posts remain worth a look.
- The final episode of Tremontaine has been released! At least, for this season…
- Based on the title alone, I am very excited about the new Serial Box series The Witch Who Came in From the Cold, created by Lindsay Smith and Max Gladstone, and written by Lindsay Smith, Max Gladstone, Cassandra Rose Clarke, Ian Tregillis and Michael Swanwick. The first episode is out and free! (text and audio)
- Milli and Fink screenprinting workshops are up again (Ipswich, Queensland) – I did one of these a few years ago (post: Screen printing) and it was great: http://www.milliandfink.bigcartel.com.
- If you ever describe a painting in your writing, the descriptions of art in this article are loving, funny & effective: The Emergence of the Winter Landscape. Also, lots of medieval snowball fights. (h/t Sydney Padua)
- “I shall get up Sunday morning and wind the clock, as a contribution to order and steadfastness.” EB White
- “I have always felt charged with the safekeeping of all unexpected items of worldly or unworldly enchantment as though I might be held personally responsible if even a small one were to be lost.” EB White