Part One: USA

Part Three: Iceland!

As usual, this is a best-bits version of the trip, where “best-bits” = anything that stayed still long enough to be sketched. You should be able to see a larger version of the pictures by clicking on them, which in most cases will take you through to their Flickr page.

I was on a round-the-world ticket so I guess that is why I had to sleep in Helsinki airport between NYC and Heathrow.

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Once landed, I picked up my hire car and drove directly to Dartmoor – unexpectedly passing Stonehenge in the evening sunlight. I spent the whole week in one town and it was of course wonderful, because it’s the sort of town where even the local scandals feel like the start of a Midsomer Murders episode, and it is full of many friends who are busy writing and painting and making things.

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I was there a few days earlier than originally planned, but Terri soon found me hanging over this gate, drawing sheep.

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I spent my first few nights at Greenbank B&B, a 10 minute walk out of town, and I highly recommend it. They had poultry and a bad-tempered parrot and dogs and a great big Aga stove and lent me Cold Comfort Farm.

Some notes on Cold Comfort Farm.

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I went back to visit several times after moving on.

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And this was the road along the back fence.

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When drawing English plants, Liberty prints suddenly make a lot more sense.

 

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Sheep-shearing at Greenbank.

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And one night, on sunset, I walked up the top of Maldon Hill barefoot in the cold golden light, which was chilly but felt important, especially as I was thinking about Picnic at Hanging Rock for academic reasons at the time.
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Here is Terri’s beloved Tilly, being mystical in the woods.

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For Ruth’s birthday, we went to a ’70s space disco in a Devon field.


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After Greenbank, I moved in with the lovely Elizabeth-Jane, harpist and dealer in sugar-mice.

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Her house was full of music and books, and one evening we went down to the woods where Alex was living and owls hooted overhead.

Also, I finally visited Chagfarm!

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At the farm I drew goats and pigs (for reference), and one evening I drove out over the moors and drew the Dartmoor sheep and ponies.

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Showing my sitters their portraits.

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You have to drive carefully over the moor – the sheep and ponies are unruffled by traffic.

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I did leave Chagford once to go to Moretonhampstead and see the Widdershins exhibition with Virginia (whose hand and art are shown here).

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One of the many things I love is that you can just go… walking out over the fields and the moor: up behind the studios with Terri and Tilly, over the common with Alan and Virginia after tea, wandering over to Todd’s for maps, traipsing out by moonlight with Elizabeth-Jane in search of standing stones which look deceptively like sheep.

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One last sketch of goats and parking inspectors, then off to Heathrow again. The last song to play on the radio as I reached the airport was, suitably, “Jerusalem.”

Then, off to Reykjavik.

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Next: Iceland!