Sketching makes me like people more.

I liked these people anyway
People in crowds become individuals. (This does relate to yesterday’s post: Sketch Notes).

Why NOT dance with an inflatable unicorn?
The first time I went to the British Museum, I tried to see the Rosetta Stone. It was easy, crowding forward, to resent everyone else who was in the way. So many people. It can’t mean to them what it does to me.

Some access issues
But when I retreated and got out my sketchbook, suddenly each person was an individual, to whom the stone meant something that made it worth seeing, and I was drawing a picture of people loving it.
And sometimes I’m drawing individuals I love, and realise they are a crowd, a whole.

Readercon 2017, tag yourself
This is one of the reasons I like to sketch during O-Week (Orientation Week). It makes me more benevolent in general, which is always nice when I’m about to start teaching again.

Fairy floss!
Everyone comes into focus, busy in their own way. There’s a degree of headshaking around the annual toga party, but look at them! All those teenagers in bedsheets.
The phones, the wings, the Hercules, the occasional serious cosplayers. Body language is 75% funnier in an inexpertly constructed toga and rugby shorts.
Your sketches are magic. It is amazing the life you put into them. I like people more looking at them. 😊
Pingback: February post round-up | Kathleen Jennings
Pingback: On making samplers (of various kinds) | Kathleen Jennings
Pingback: Sketch as sketch can | Kathleen Jennings
Pingback: Observation journal — creative post-mortems | Kathleen Jennings
Pingback: Observation Journal: Moving fast | Kathleen Jennings
Pingback: Sketching once more | Kathleen Jennings
Pingback: Some thoughts about crowd scenes, by way of the sketchbook | Kathleen Jennings