I’m probably grossly misusing the word “triangulation” but it fits because it’s a process of navigation AND an indirect way of approaching something AND this is about using three elements.
- A structure can be used to attract a story (see: Narrative Theory 1).
- External input — something from outside my own head — is very useful when creating my own work.
- Limitations (e.g. of materials, format etc) are hugely useful for pushing against creatively — they enhance the creative force.
I find that two constraints can suggest starting-point ideas, but using three together fairly reliably creates things that feel like stories. It holds open a space for things to fill. (See also: Observation Journal — A Tremor in the Web for more feeling-my-way-towards-ideas and Observation Journal —improbable inventions for another three-things approach).
Which brings us to Inktober. I’m repeating my approach to it last year, using three main boundaries:
- Prompt: I use the main/official prompts (there are many others), because that’s simple, and because where they don’t fit my personal tastes/interests (i.e. “radio”) it makes me work harder to come up with something that pleases me. I like using and fighting against external prompts and timeframes, and having to incorporate something that’s not entirely from inside my own head — that was the appeal and lesson of Illustration Friday way back when (and that tag is a deep dive).
- Technique: Ink, obviously, but I further limited it to silhouette brush work because I want to get better at brush work and silhouettes seemed simpler (why I, of all people, would think that, but here we are), and incorporated imitation-gold leaf (because it’s pretty and I have a lot to learn).
- Second prompt: I’m using tweets from Fairy Tale Fragments (@fairytaletext) on Twitter. This pulls everything into my preferred fairy-tale area, but involves some mental acrobatics to incorporate e.g. “radio” into that sort of setting.
Note: It’s tricky getting good photos of the foil, and impossible to scan usefully, but it’s got a lovely buttery-gold gleam under lights.