Inktober and triangulation, or: Nature LOVES a vacuum

Brush-and-ink and imitation-gold-leaf illustration of a hen looking at a radio.
“Radio” plus “The cowardly hero deceived the hen.” (This was VERY TINY and also a birthday card for my father and something of a riff on His Master’s Voice.)

I’m probably grossly misusing the word “triangulation” but it fits because it’s a process of navigation AND an indirect way of approaching something AND this is about using three elements.

So:

  • A structure can be used to attract a story (see: Narrative Theory 1).
  • External input — something from outside my own head — is very useful when creating my own work.
  • Limitations (e.g. of materials, format etc) are hugely useful for pushing against creatively — they enhance the creative force.

I find that two constraints can suggest starting-point ideas, but using three together fairly reliably creates things that feel like stories. It holds open a space for things to fill. (See also: Observation Journal — A Tremor in the Web for more feeling-my-way-towards-ideas and Observation Journal —improbable inventions for another three-things approach).

Brush-and-ink and imitation-gold-leaf illustration of a thief sitting on a tree root and looking into an enchanted mirror.
“Radio” plus “The evil thief sighed in the deep dark forest.” The “radio” here turned into a pair of enchanted communicating mirrors.

Which brings us to Inktober. I’m repeating my approach to it last year, using three main boundaries:

  • Prompt: I use the main/official prompts (there are many others), because that’s simple, and because where they don’t fit my personal tastes/interests (i.e. “radio”) it makes me work harder to come up with something that pleases me. I like using and fighting against external prompts and timeframes, and having to incorporate something that’s not entirely from inside my own head — that was the appeal and lesson of Illustration Friday way back when (and that tag is a deep dive).
  • Technique: Ink, obviously, but I further limited it to silhouette brush work because I want to get better at brush work and silhouettes seemed simpler (why I, of all people, would think that, but here we are), and incorporated imitation-gold leaf (because it’s pretty and I have a lot to learn).
  • Second prompt: I’m using tweets from Fairy Tale Fragments (@fairytaletext) on Twitter. This pulls everything into my preferred fairy-tale area, but involves some mental acrobatics to incorporate e.g. “radio” into that sort of setting.
Sketches for possible illustrations.
“Rodent” and the process of feeling out that day’s @fairytaletext tweets looking for things I wanted to draw
Brush-and-ink and imitation-gold-leaf illustration of a mouse on a wine bottle drinking out of a thimble.
“Rodent” plus “Once, there was a drunken thief who lived in a tall tower.”
Brush-and-ink and imitation-gold-leaf illustration of rats in a coat riding on the back of a wolf and pretending to be human.
The creative process illustrated, or: “Rodent” plus “The ugly servant saved the wolf.

Note: It’s tricky getting good photos of the foil, and impossible to scan usefully, but it’s got a lovely buttery-gold gleam under lights.

4 thoughts on “Inktober and triangulation, or: Nature LOVES a vacuum

  1. Pingback: October post round-up | Kathleen Jennings

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