The first half of the first draft is often about setting traps.
The second half is about springing them.
Ideally the traps are sprung by the characters, not by me, but we work with what we have.
First draft theory: Traps
Kathleen Jennings
Tanaudel
The first half of the first draft is often about setting traps.
The second half is about springing them.
Ideally the traps are sprung by the characters, not by me, but we work with what we have.
Kathleen Jennings 
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