
Here are a few more observation journal pages playing with mismatched metaphors and shaken-up descriptions.
I very much like these exercises — swapping, exchanging, flipping language (and images) and finding unexpected connections is an enjoyable game, but also a way to discover little worlds and the hints of stories, and to stay in the habit of reaching for very specific and carefully callibrated descriptions — training the ear as well as the hand. (Here are some related posts, with exercises: Variations on descriptions, More swapped descriptions, Similes and genre flips.)
This first page is a repeat of picking two things at random from the observation page and making them fit each other (with an occasional genre flip):

Trees lit like caffeination, champagne like metal dye in the veins. A person whose approach to computers is like the wary abandon of the amateur chef. A sense of clammy inevitability, like washing left forgotten in the machine.
In the next, I changed the approach slightly (it’s a combination of the original and the Caudwell approaches). First I made a list of terms I associated with cold weather and hot weather and noted patterns in them (the aloof, brittle, beautiful, festive terms for winter, the physically oppressive and vigorous associations of summer).
Then I swapped these and wrote some descriptions.

So hot weather could be described by way of salt-white light, the shiver you get from the heat, puffing out hot breath, the numbness of warmth. And cold weather could be all brilliance and gold light, green shadows, the humidity of damp clothes indoors, etc.
There are a few lines borrowed from the previous technique: winter like a crow at the window, summer like a pomegranate — and then the question of what would happen if you switched those. The answer is quite a lot, actually. Of course winter is like a pomegranate, it’s a whole thing — and summer is all about getting woken up by the crows on the fence outside.
On a subsequent page, I went back to those twin lists and directly swapped the terms (pale to vivid, biting to either aloof or caressing, greenery to fibre matting, balcony to underhouse).
The “summer” paragraph that resulted was quite similar to the previous one. Winter, however, gained movement and intent — winter with its clicking claws, its smell of old rugs, its cold nose pressed without warning against bare skin…

Here are some previous related posts, some of which have writing/illustration activities.

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I’m loving the sketches! This reminds me to sketch more in mine too. Always love seeing others’ journals. Thanks for sharing!
Thank you so much, Stuart!
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