The campaign is to fund the reprint of her previously published Creature Court trilogy (full of flappers, Rome-esque cities, animal magic and vicious skies), along with a new novella. I will be designing the new covers, as well as this banner and an enamel pin.
This month’s calendar, brought to you with the support of my patrons (who get it early, and you can too!) is for the folktale “The Story of Mr Fox“: “Be bold, be bold, but not too bold, lest that thy heart’s blood should run cold”.
Mr Fox has no actual foxes in it, a feature in common with one of my other favourite folktales-with-a-rhyme (“the bough did bend, my heart did break, to see the hole the fox did make”). That one is about murderous university students, at least as I heard it, although there are many variations on the theme. But it had been a while since I drew foxes, and I wanted to update my fox-and-flowers designs. I’ll add some of these to my Redbubble store once uni deadlines ebb a little.
The full, printable calendar images are at the bottom of this post – pre-coloured, or to colour in.
In other news:
Also! The clockwork birds from February’s calendar are up on Redbubble, with the original version, one with a dark background, and a blue and white variation. They are in my queue to add to my Spoonflower shop, too, but… I have an MPhil to finish.
And here is the calendar!
Welcome to the February calendar (brought to you with the continuing support of patrons on patreon.com/tanaudel – and if you’d like to throw in a dollar or two there or elsewhere to support the calendar, they make all this possible!).
I do love grave, beautiful fairytale illustrations, but I also have a lot of friends who do fancy knitting, and the idea of the nettle shirts in “The Wild Swans” took a detour into a few sweaters I wouldn’t mind owning.
The printable files are at the bottom of this post – pre-coloured, or to colour yourself. You can download them for free (but please consider supporting – you can get the calendar early, and other things, and even $1/month helps hugely).
The fairytale is part of the spectrum of stories that includes “The Seven Ravens”, the next story under discussion by the Australian Fairy Tale Society. The Brisbane ring is meeting from 1.30-3.30 at Avid Reader on 10 February and I’ll be giving a short presentation.
And here is the calendar!
In all Owl Abbas, before it burned (after the Falling but before the Cartographer’s War and the Recurrence of Owls), there were among its many windows only two that need concern us…
This is the illustration reveal for Audrey Benjaminsen‘s beautiful charred, byzantine illustration for my story “The Heart of Owl Abbas”, which is to be published by Tor.com in April. It’s the first time (as far as I recall!) that a story of mine has been illustrated for publication by someone else, and I am so happy with it. Look at all those tiny engraved details, and the little lace cuffs, and that muscular, visceral heart.
Meet Anya Winter, junior professor of magical textiles at Arcanos Hall. She spends her days designing invisibility cloaks and teaching reluctant sophomores to knit. If she can avoid her conniving ex-boyfriend and steer clear of campus politics, that’s a plus. But everything changes when her secret university is unshielded by a saboteur, placing the entire magical community at risk. Joining forces with a rebellious princess and a mysterious engineer, Anya must save her school—and her reputation—before it’s too late. But can she really change the world with just a ball of yarn?
Stewart did a splendid job, and if any of you are looking for a cover designer (and you should be, they are worth their weight in gold), his website is: Stewart A. Williams Design.
Every so often a project comes along which forces me to dust off my needles and knit a swatch for art-reference. I couldn’t find the needles this time, so ended up knitting with a pencil and the handle of a paintbrush.
In the end it was decided to do a design that could function as two covers or a wraparound – there was some refinement, with boots.
And sheep were cut out. They have these beautifully, misleadingly patrician faces. For scale, those are half-inch squares on the cutting board.
I cut the illustrations out as two separate images which could be joined over the spine if so decided (although in the end they were framed by blue).
Then I tidied these up, and sent the files away to be turned by Stewart Williams into something marvellous and blue.
And if you want to get early sneak-peeks and process details on projects like this, I post those for supporters on Patreon.
Welcome to 2018 (almost)! I’ve started the year with a little clockwork bird calendar, because they are so cheerful, and also because I have a story coming out in April from Tor.com (!) in which I picked up a few threads from “The Emperor’s Nightingale” and ran with them. It is called “The Heart of Owl Abbas”, and like this calendar has a noticeable lack of owls.
As has been the case all this year, the calendar is brought to you with the support of my patrons over at patreon.com/tanaudel. If you’d like to sign up to support the calendar and other art (for as little as $1 a month), you’ll even get it a few days early!
There are two colourways this month, as I was feeling indecisive. Pattern to follow. Please feel very free to print these for your personal use – pre-coloured, or to colour yourself! And if you did colour any calendar pages this year, I’d love to see photos if you’re happy to share.