March Calendar: Step off the Path

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Welcome to the March calendar, brought to you with the support of my patrons, who make this much inking time possible, and who get the calendar early — and other things.

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This month’s design finds its origins in a combination of William Morris designs and red-figure pottery (both of which are much livelier in real life than in reproduction).

Jennings-K-March-Calendar-WIPBelow are versions you may download and print at home, pre-coloured or to colour. I’ve also put the colour version up as a print on Redbubble. No scarves, etc., (yet, or at least not without some heavy intervention), as I did not design it to fill that shape.

If you do use and/or colour the calendars, I’d love to see photos in the wild — please feel free to share! And if you’d like to join on Patreon (or otherwise throw a few dollars at the calendar) — thank you for helping make these images happen!

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Border Keeper cover reveal

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Over on Bookish.com, there is a reveal for my cover art for Kerstin Hall’s upcoming novella The Border Keeper, to be published by Tor.com. It includes a video of the art process (if you glimpse a bandage, it was from a julienne-ing incident, not the craft knife).

Be Bold: Small Art for a Big Cause

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Light Grey Art Lab, as well as its many other marvellous exhibitions, is currently exhibiting and selling Small Art For A Big Cause, featuring many of their regular artists. You can find the images on their Instagram (always worth following in any event) under #smallartforabigcause or on their website, and framed prints can be ordered from the Light Grey shop.

My piece, Be Bold, was inspired by the heroine of “Mr Fox”, and other fairytale ladies.

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It began, of course, as a silhouette:

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With colour added subsequently.

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It is available for a limited time through the Light Grey shop.

The Lumberjack’s Dove – enamel pin

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GennaRose Nethercott – The Lumberjack’s Dove

I have just had the opportunity to design a second enamel pin, this time for GennaRose Nethercott’s beautiful poem The Lumberjack’s Dove, just out from HarperCollins. My copy just arrived in the post this week, together with a beautiful poem by GennaRose just for me (and, separately, Tom Hiron’s Falconer’s Joy – another poem of a very different modern mythology).

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I really enjoyed designing this pin. It was a completely different proposition from the Creature Court enamel pins, in both style of book and of art. The approach, however, was similar: to create an image that would undeniably connect to and represent the book but also function as a beautifully (if mysteriously) iconic design in its own right. Something people might want to wear or admire even if they hadn’t read the poem (or novel), but with a connection it would be difficult to forget.

Below are some of the process sketches (supporters on Patreon got to see this one in more detail as it developed).

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And here is the final pin. I have not yet worked out how to photograph gold properly, but it so very shiny!

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For information about opportunities to get a pin, follow GennaRose. The National Poetry Series Competition winning poem is now available from HarperCollins: The Lumberjack’s Dove. And for more behind-the-scenes art than I can share entirely publicly, check out my Patreon page.

Oh, and I design pins now.

Book cover: Mountains of the Mind

I’ve known Gillian Polack ever since, having read Diana Wynne Jones’s Deep Secret, I decided to go to a science fiction convention in Canberra. So I was honoured when Shooting Star, a brand new press, asked me to illustrate the cover for her collection of short stories, Mountains of the Mind, launched at Continuum earlier this month.

Here is the first round of thumbnails sketches (with colour inverted for ease of visualising possible treatments). I enjoy the challenge, with collections, of trying to get in thematic references to most if not all the stories.

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We went with the first design at top left. Some details, however, required refinement — attempting to combine readability with some degree of historical accuracy, a nuanced line when illustrating stories by a historian. Here are some of those further notes.

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After a full pencil sketch was approved, I transferred the design to a larger than usual sheet of black paper: A3 instead of A4 — there’s a lot going on here and I couldn’t quite fit it inside the usual dimensions. I also forgot to flip the design before tracing it, so the original now runs the opposite way to the final design.

Cut, cut, cut.

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Then I have to lift the design out without breaking any delicate bits.

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There’s a pure satisfaction in working the design out of the scrap paper and leaving the offcuts entire.

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Here is the image cut out and scanned in, waiting for a few minor tweaks where corners folded or joined, and general tidying. The grey overlay is to show the crop lines for the cover.

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And here is the final cover, designed by Wolfgang Bylsma of Gestalt Comics, art by me, book by Gillian Polack!

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(And if you like regular behind-the-scenes process glimpses, I show them (along with calendar designs, etc) to patrons on patreon.com/tanaudel).

June Calendar: Firebirds (feed the stars)

Firebirds for June! A few white ones in there, as a nod to The Voyage of the Dawn Treader. 

‘m working on a series of bird illustrations for my MPhil novella “Flyaway”, so it was practice for that, as well. You’ll see one or two Australians in there.

The asymmetrical shape is to allow the design to fit into a repeating pattern. Here’s a glimpse (dodgy late-night photo!) of how it was constructed (Julia Rothman’s introduction to repeat patterns is a useful explanation).

As ever, the calendar is brought to you with the help of my excellent patrons, who get previews, process shots and stationery, among other things, from $1/month – if you’d like to join and support the calendar (and the soon-to-return Dalek Game!), it would be a lovely birthday present:)

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The Creature Court returns…

Here is the finished banner illustration I made for Tansy Rayner Robert’s Creature Court Kickstarter campaign, which is now live!

The campaign is to fund the reprint of her previously published Creature Court trilogy (full of flappers, Rome-esque cities, animal magic and vicious skies), along with a new novella. I will be designing the new covers, as well as this banner and an enamel pin.