fantasy


Illustration Friday: Temptation

This week’s Illustration Friday picture began as a technique practice/reset between jobs, but I lost track of what I had originally planned on doing and got carried away (not for the first time) with Janet luring Tam out into the daylight in the ballad “Tam Lin“.

I do appreciate that Janet always knows exactly what she’s doing. I do not require this of all my heroines, but Janet is so beautifully consistent. “Oh I forbid you maidens all who wear gold in your hair/To come or go by Carterhaugh, for young Tam Lin is there.” The story opens with a prohibition, which Janet consistently and deliberately flouts, while Tam is simply caught up by events (and Janet).

She should also be wearing green, but this is Janet, so “should” may be safely ignored.

This is pencil with digital colour and assorted textures. One day I will remember to make a cleaner layer of flat colour, because I do enjoy getting the flats to ‘read’ well. I ran these flats through Inkscape to tidy them up a bit for public viewing:

Illustration Friday: Temptation - simplified flat colour

Illustration Friday: Natural - roses

If there is one thing that I have learned from fairytales, it is that roses are naturally bad for you.

Nettles, on the other hand, may be what saves you.

Illustration Friday: Natural - nettles

Illustration Friday: Time

I was playing around with gouache paints and fallen leaves for Illustration Friday, this week’s topic for which is “Time”. For writing-related reasons, I’ve been thinking on time passing by people sleeping in flowers and forests and leaves – Sleeping Beauties, Rip Van Winkles and lost children covered up by birds.

Here is my housemate Aimee obligingly posing for reference photos while I stand on the coffee-table.

How art happens

I do like the textures of gouache, although I am still getting used to how dark it dries. I’d like to try this again and play with tones more – I’ve seen a few monochromatic pieces recently which glow.

I’ve never painted frequently enough to be really familiar and confident with it, so I get frustrated when I force myself not to use lines, and then am surprised by the way a bit of rough paint in the right place can unexpectedly work. Just the way a rough pen line can still get a message across.

My reward for the next stage of editing the Large Amorphous Manuscript may be a painting class.

Here is the other little study.

Illustration Friday: Time 2

Sketch7

I am back, I am dealing with jet lag which I never adequately believed in before, the sketchbook is scanned and I will begin posting it shortly.

However, to begin with, many congratulations to all the nominees and winners of the World Fantasy Award, and of course particular to Vincent Chong, winner of the Artist category with his sepia-soaked, textured worlds, and to my fellow nominees Didier Graffet and Dave Senior, with their clean effective design, J.K. Potter‘s dark collections and Chris Roberts‘ bright nightmares.

Hemming

I’ve been learning to stitch a rolled-hem for two shawls I’ve wanted to make for some time. A few people have asked for the designs, so I’ve made them public on my Spoonflower page.

The first is the cover art for Midnight and Moonshine (print it centred across two yards):

Midnight and Moonshine cover

The other is “Round Eternal”, one of the pieces for the art show last month (print it centred on one yard for a square scarf):

Round Eternal

Self, in front of art

Self, in front of art

The art show has opened! One of my work colleagues took this photo of me in front of my pieces – all cut black paper. I scratched a couple of frames due to bad packaging and had to go back in yesterday morning to replace them, but otherwise all went smoothly.

The show closes down on the morning of Sunday 25 August, but is open all this week from 10-6 every day at 10 Bailey Street, West End (Brisbane).

Here is a glimpse inside my sketchbook, when I was developing ideas.

sketchbook

More photos from the opening night are here on Facebook.

Illustration Friday: Myth

So I arrived home from work, in the rain, and promptly thought, “I know what I should do, after I eat these eggs and some roast beef with mustard! I should design and cut out an entire A3 silhouette picture!” As it is, this is as good as it gets tonight – tomorrow, after I resharpen the knife and regain sensation in the relevant fingers, I will tidy up the furry bits, and maybe add a touch more detail if the recipient (this is also in payment of an IOU) thinks suitable.

It says:

Once upon a time (but “once” is always & ever after)

And fortunately that last curl of vine adds a nice closing bracket because otherwise I would have completely forgotten to add one in. But otherwise the letters appear to be in the correct order, yes? and facing the right way? Because I lettered them straight onto the reverse and didn’t check in a mirror, and at this point my ability to read is questionable.

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