Read and Seen — February 2020

2020-03-05-Book-sketches-Feb

Responses to Keep Going and Hilda and the Troll (left) and False Colours (right)

Books:

  • Keep Going Austin Kleon (good, but personally I found Steal Like an Artist and Show Your Work less diffuse and more resonant).
  • False Colours — Georgette Heyer (so utterly gentle, and my favourite combination of high-stakes-for-characters/low-stakes-for-readers — see also Arabella and those productions of Twelfth Night where Orsino works out Viola’s deal pretty early on). The hero’s mother, Lady Amabel, irritates some of my friends but I love her, which might be partly attributable to Phyllida Nash’s beautiful narration: False Colours on Audible).
  • Hilda and the Troll — Luke Pearson (so charming — I already loved the series, and the clean distinct style, which is coming into focus here)
  • Hilda and the Midnight Giant — Luke Pearson (see above, and they started me thinking more about visuals and stylisation — and trolls and giants and, of course, trollish giants)
  • The Creeps — Fran Krause (perfect bite-size frights, alarms, and nervous laughs: excellent sequel to the equally excellent Deep Dark Fears, and together with Lynda Barry’s Syllabus refined the Pearson thoughts into smaller, four-panel formats — see also the Deep Dark Fears tumblr)
  • British Prints from the Machine Age — Stephanie Lussier (I’m trying to actually sit down and read through art books occasionally)
  • His Countess for a Week — Sarah Mallory
  • Certain Manuscripts for Secret Illustration Purposes
2020-03-02-FebruaryBooks2

Some individual panels

I did some little comic responses to various books and films, but they got out of hand and cross-pollinated. These are a few individual panels. They’re all a bit Luke Pearson/Fran Krause inflected, with some distant False Colours DNA (top left), a dash of Emma (top right), some Machine Age (bottom left), and some sort of Birds of Prey/Sarah Mallory mash-up (bottom right).

Movies:

  • Birds of Prey (fun and bright, and just a slightly different eye on things)
  • Emma. (fun and bright, but not quite enough of a different eye on things for what I wanted from it; great music, excellent supporting Nighy; also there’s an image that is shown in the first lecture of a subject I tutor, and I burst out laughing when I saw it (partially!) repeated in the film — Luxury or The Comforts of a Rumpford, a deliberate reference, h/t Peter for the link).

Other:

  • David Suchet, Poirot and More: A Retrospective (fascinating explanations, particularly of character notes, finding the right voice, the speed at which Freud would have walked, and rituals of exit)
  • The New Pornographers, at The Triffid (I know, Mother, I know!) (a lovely show, and they feel a lot more rock when heard live; also, for reasons, I was playing a listening game and am now convinced that while it would be tricky, it would be possible to make a rock opera of Emma).

(Some links are affiliate links, which just means I get a teeny commission if you buy something through them, but for preference, support good local bookstores!)

Read and Seen — January 2020

KJennings-JanuaryBookSketches

I’ve been trying to do a bit more fan-art/loosely-inspired sketches this year. Mostly (but not entirely) of books. These are based on January’s reading.

Books (not including manuscripts for illustration)

  • The Nightjar — Deborah Hewitt (this made me look up nightjars, which are kind of amazing)
  • Silver in the Wood — Emily Tesh (bolshie dryads!)
  • I See, I See — R. Henderson (delightful turn-about picture book by a Brisbane author: recommended, and everyone I’ve shown it to so far has bought it)
  • Domestic Life in England — Norah Lofts (flawed yet captures the acceleration of history)
  • Show Your Work — Austin Kleon (… great, actually — I tend to resist small square books)
  • Through the Woods — Emily Carroll (creepy-beautiful!)

(I have longer ramblier thoughts on Patreon).

Movies

  • Little Women (Amy!)
  • JoJo Rabbit (feels in some respects (for narrative reasons I think are deliberate) like a movie about East Berlin)

Other

 

Books read, things seen: May – September 2016

A big, brief, catchup post, but here are some Cold Comfort Farm sketches to brighten it up. Also, I’m starting to keep track of books read on Goodreads as well.

kjennings-coldcomfortfarm

Books

  • Crusade – Peter M Ball (part 3 of the Flotsam Trilogy omnibus)
  • Bone Swans – C. S. E. Cooney: Such beautiful novellas. I wept. I drew fanart.
  • Tempting Mr Townsend – Anna Campbell
  • A Few Right Thinking Men – Sulari Gentill
  • Madensky Square – Eva Ibbotson: I had not read this Ibbotson and it is enchanting! A romance of pre WWI Vienna.
  • Winning Lord West – Anna Campbell
  • Pawn in Frankincense – Dorothy Dunnett
  • Q’s Legacy – Helene Hanff: So charming! So tiny! The follow-up to 84 Charing Cross Road and The Duchess of Bloomsbury Street. Has influenced my driving.
  • The Ringed Castle – Dorothy Dunnett. Suffocated sounds of distress.
  • The Foundling – Georgette Heyer: Perhaps a new favourite.
  • Cold Comfort Farm – Stella Gibbons: The first time I’ve read it, and I finally read it due to being presented with it at breakfast as a fait accompli by my landlady at a Devon B&B. I read it as a science fiction novel set in the world of The Fantastic Mr Fox, which was certainly memorable. I love her sheer disregard for agriscience.
  • The Tree – John Fowles
  • Stranded with the Scottish Earl – Anna Campbell
  • The Summer Bride – Anne Gracie
  • A Kiss from Mr Fitzgerald – Natasha Lester
  • [Can’t tell you about it yet but very good]
  • Cotillion – Georgette Heyer
  • The Devil’s Delilah – Loretta Chase
  • Marked for Death: The First War in the Air – James Hamilton-Paterson: Fascinating WWI aviation history.

Movies & theatre

  • Captain America: Civil War
  • The Nice Guys
  • The Hunt for the WilderpeopleThis is really, really good, people, I highly recommend it.
  • Something Rotten (musical)
  • Shuffle Along (musical)
  • Fun Home (musical): Helpless crying.
  • Ghost Busters 
  • Love & Friendship: A remarkable study in telling only the connective tissue between big events, which works because it is all about the main character’s continuous, inventive self-justification and repositioning.
  • Sully
  • Star Trek: BeyondSuffered for being seen between Sully and Deepwater Horizon, in both of which people try to actually do a headcount of surviving passengers and crew.
  • Bridget Jones’ Baby

Books read, things seen: April 2016

In which even the contemporary Australian noir fantasy has a Regency connection.

Books

April-reads

  • [Lady Helen and] The Dark Days Club – Alison Goodman: Regency urban fantasy, with a beautifully precise approach to research and a heroine who doesn’t actively dislike her ladylike life (even if she doesn’t get much chance to commit to it), but I may never forgive Alison Goodman for opening my eyes to the true horror of Regency presentation gowns. Also I really, really like the typography on the cover of the edition I have. Here is Angela Slatter’s interview with her (which I illustrated): Lady Helen and the Dark Days Club: Alison Goodman
  • The Grand Sophy – Georgette Heyer: A re-re-read, and out loud to my dad. This time it struck me that Sophy is basically a Regency Pippi Longstocking, down to the absent indulgent father, the vast bank-account, the horse and the monkey. If you haven’t read it, Mari Ness’s reread on Tor.com (while of course containing spoilers) also discusses the, ah, problematic issues of the book and will give you a fair idea of whether you want to read (or re-re-read) it.
  • The Seduction of Lord Stone – Anna Campbell: I… did not read this one out loud to my father. Though I must give a general cheer for forthright, determined heroines and negotiation of relationships (and while it exceeds my tolerance levels for certain content, since I belong to the ‘curtain blew across the screen’ school of romance, I do enjoy Anna’s writing in all the other scenes).
  • Exile – Peter M. Ball:  You may think I broke my Regency streak with these two, but the main character reads Persuasion on stakeouts. Myth-heavy hardboiled Gold Coast pre-(assorted)-apocalyptic fantasy. It resonates with the parts of my mind where American Gods took up residence.
  • Frost – Peter M. Ball: See above – I’m reading the third now and will report in the May read.

Movies

listing_the_boss

  • The Boss: Disappointing. It was two movies: a mildly crude disgraced-business-mogul-turns-good farce, and a violent-angry-girl-scouts classic comedy. Either could have been strong, but it never committed to one or the other. Which is a shame, because I like Melissa McCarthy, enjoyed Spy and I’m fairly sure would have adored the movie the end credits promised. Although we knew from Hotel Transylvania that good end-credits can retroactively ruin a decent movie.

Books read, things seen: March 2016

Books

March Books

  • How to Edit a Novel – Charlotte Nash: (full disclosure, I was given a review copy and am friends with Charlotte) A very plain, step-by-step, mechanical approach to editing which is VERY USEFUL as it is easy to get caught up in high-concept flights of editorial lyricism. I’ve been editing a manuscript and used a lot of her pointers, which successfully calmed me down and got the new draft quickly finished.
  • Hellboy: The Chained Coffin, and others – Mike Mignola: I loved this so much. How have I managed not to actually read Hellboy before? It is laconic and wry and yet with a kindness, for all the bloody myths and tales. And the art which is so simple and weighty and full-mouthed.
  • The Rabbits – John Marsden and Shaun Tan (illustrator): This book! The art is so rich. It glows, it looks flat as a mosaic and then the shapes resolve into sails and landscapes, the regimented patterns move with meaning, there are more stories in the tiny details. It has less than 250 words, and they are the high, clear bells chiming out a fine melody over Tan’s orchestral compositions.
  • Edward Grey, Witchfinder, Vol. 1: In the Service of Angels – Mike Mignola and Ben Stenbeck (illustrator): I enjoyed it, and would read more, but it suffered by following immediately on the heels of Hellboy and being so earnest.
  • Picnic at Hanging Rock – Joan Lindsay: This is such a good book, still, and I don’t know how? I thought it got away with not solving the mystery by not being about the mystery but about the people left behind, and yet on a reread she keeps pulling it back to the investigation as well? It’s a book about the ripples caused by an unsolved mystery, and about the little things that change lives as well as the big things, the weight of something vast and inexplicable on the world. It’s also a reimagining of The Little Princess and The Secret Garden, and beautiful and dreadful. It’s also made me think that the very end of The Lovely Bones weakened that book’s impact.
Picnic at Hanging Rock sketches

Picnic at Hanging Rock sketches

  • The Elusive Pimpernel – Baroness Orczy: C.S. Pacat and I stumbled upon a bookstore which was full of sequels we’d never heard of to very famous books. Now, the Pimpernel sequels are certainly generally known to exist, but this was the first I’ve read. It was a much smaller story than the first, really a battle between two wills, which is something I appreciate in sequels (instead of just making the antagonising forces bigger and badder). Also my personal theory is that Marguerite is the opposite of the cleverest woman in Europe, and in her Paris days people only called her that as a joke BUT Chauvelin, who was in love with her then, thought they were serious, and because he keeps so drastically overestimating her, the Blakeneys continue to triumph.

Seen

March Movies

  • Pride and Prejudice and Zombies (movie): Twice. We had so much fun. It was silly, but smartly so (new lines frequently taken from other Austen writing), and the production values were solid. I want to watch the outtakes just for more Bennett sisters as a team. I love Pride and Prejudice and many of its revisions, and a couple of these castings and scenes were extremely gratifying additions to the mythology.
  • From Dusk till Dawn (movie): Rooftop cinema. I still don’t know how this movie manages to form a coherent whole.
  • Picnic at Hanging Rock (play: Malthouse Theature): For such a visual book, it was fascinating to watch it staged with familiar descriptions but a minimalist, slate-grey set and almost none of the familiar imagery. The night-on-the-rock sequence was fabulously suspenseful, and Amber McMahon’s turn as Michael Fitzhubert was mesmerising.
Amber McMahon

My rough sketch from memory, and Amber McMahon (photo by Pia Johnson from ECU Daily).

  • The Rabbits (opera: QPAC): Affecting and gloriously textured interpretation of the book (see above).
  • London has Fallen (movie): Exactly what I expected, having seen Olympus has Fallen.
  • Zootopia (movie): Another fun movie, surprising, endearing, quotable and honestly the most convincing integration of mobile phones I’ve seen.
  • Hail Caesar (movie): Odd, though frequently gratifyingly so, and less a story than a ‘day in the life of’. I wanted more but also more of this. Peter M. Ball wrote up his thoughts: Would that it were so simple?

 

Books read, things seen: February 2016

Murder! Heists! Creativity! Secrets!

Continue reading

The late week

Twitter etc

  • Monsters! This new, Karen Beilharz-helmed anthology of comics (with sea monsters by me) is now funding on Pozible. It’s all written and illustrated but we need the pre-orders to get it printed. Rewards include a map by me. (Because it’s been asked, and Pozible isn’t entirely clear on this: if you want to help, but don’t necessarily want a book, you can enter an amount here: Pledge amount). The first comic, “Monster Hunter”, has been posted already.
  • Rapunzel: Fablecroft is publishing Kate Forsyth’s PhD exegesis The Rebirth of Rapunzel: A Mythic Biography of the Maiden in the Tower (background pattern and cover art by me).

Rapunzel-Cover

  • Deep Dark Fears: Late to this party, but Deep Dark Fears is deliciously evocative and unsettling, and I have ordered the book.
  • Pride & Prejudice & Zombies: Went twice, went with incredibly low expectations, had a ball, see it while it’s in cinemas. It’s also got a number of Easter eggs for long-term Austen fans. But I mistook Sam Riley for Kris Marshall and was confused (although not unpleasantly so).

  • Science! If you like science communication and illustration, the #sciart tweetstorm is currently on.
  • Two new books:
    • The first translation in over 100 years of Jules Verne’s Mikhail Strogoff, from Eagle Books (a new imprint of Christmas Press), with illustrations and gold-edged pages and just the right size to fit comfortably in the hand and handbag.
    • The Girl Who Raced Fairyland All the way Home, the last book of Catherynne M. Valente’s Fairyland books, which I will buy but which I am afraid it will hurt to read because they are so perfect in themselves that I am sure the ending will be like a knife.
  • Coffee in Oxley: If you are ever in the western suburbs of Brisbane, check out Re/Love Oxley on Blunder Road – a good little cafe with an industrial shed of old and kitschy things, including pyromaniacal sewing machines.

  • On looking too long at art reference: Seals are really weird and if you look at them too long it is like staring too hard at the word “walk” or “amongst”. They cease to be unique functioning objects and become gaps in the world, free-floating black holes, units of the matter before eternity. They refuse to be what you desire or believe them to be. If you gaze too long into the seal, the seal gazes back into you.
  • ‘A Plot for the Annoying of the King of Spain’ – this whole stream of tweets is delightful:

  • Style: Peter de Sève on artist’s style, although I believe it applies equally to any creative endeavour:
    “An artist’s drawing is a catalogue of the shapes that he loves. When I’m drawing something, I’m trying to find the shapes that please me. I believe that’s what makes up what people refer to as a style.”
  • Lessons learned: One thing I am repeatedly learning this year is how little you can get done in a day, and how much in half an hour.