Hedge of Yellow Roses – Year’s Best

The Year’s Best Australian Fantasy & Horror 2015 is out, and includes my short story “A Hedge of Yellow Roses”, which was originally published in Hear Me Roar, and also won a Ditmar!

“A Hedge of Yellow Roses” is the story of Vermeille, a vagabond knight (perhaps), who bears three messages out of a kingdom torn by revolution, and on the way stumbles across an old farmhouse and its enchanted, enchanting residents.

The Year’s Best also has all these other most excellent reasons for buying it:

 

• Joanne Anderton, “2B”
• Alan Baxter, “The Chart of the Vagrant Mariner”
• Deborah Biancotti, “Look How Cold My Hands Are”
• Stephen Dedman, “Oh, Have You Seen The Devil”
• Erol Engin, “The Events at Callan Park”
• Jason Fischer, “The Dog Pit”
• Dirk Flinthart, “In the Blood”
• Kimberley Gaal, “In Sheep’s Clothing”
• Stephanie Gunn, “The Flowers That Bloom Where Blood Touches Earth”
• Lisa Hannett, “Consorting With Filth”
• Robert Hood, “Double Speak”
• Kathleen Jennings, “A Hedge of Yellow Roses”
• Maree Kimberley, “Ninehearts”
• Jay Kristoff, “Sleepless”
• Martin Livings, “El Caballo Muerte”
• Danny Lovecraft, “Reminiscences of Herbert West”
• Kirstyn McDermott, “Self, Contained”
• Sally McLennan, “ Mr Schmidt’s Dead Pet Emporium”
• DK Mok, “Almost Days”
• Faith Mudge, “Blueblood”
• Samantha Murray, “Half Past”
• Jason Nahrung, “Night Blooming”
• Garth Nix, “The Company of Women”
• Anthony Panegyres, “Lady Killer”
• Rivqa Rafael, “Beyond the Factory Wall”
• Deborah Sheldon, “Perfect Little Stitches”
• Angela Slatter, “Bluebeard’s Daughter”
• Cat Sparks, “Dragon Girl”
• Lucy Sussex, “Angelito”
• Anna Tambour, “Tap”
• Kaaron Warren, “Mine Intercom”

 

 

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“A Hedge of Yellow Roses” in Year’s Best

My bittersweet (and Ditmar Award-winning!) post-revolutionary fairytale “A Hedge of Yellow Roses” has been selected for the 2015 Year’s Best Australian Fantasy & Horror! The book is edited by Liz Grzyb and Talie Helene and is available for preorder now from Ticonderoga Publications.

It has a great cross-section of current Australian writers, and if you’re looking to get a survey of what’s happening here then it’s not a bad place to start!

• Joanne Anderton, “2B”
• Alan Baxter, “The Chart of the Vagrant Mariner”
• Deborah Biancotti, “Look How Cold My Hands Are”
• Stephen Dedman, “Oh, Have You Seen The Devil”
• Erol Engin, “The Events at Callan Park”
• Jason Fischer, “The Dog Pit”
• Dirk Flinthart, “In the Blood”
• Kimberley Gaal, “In Sheep’s Clothing”
• Stephanie Gunn, “The Flowers That Bloom Where Blood Touches Earth”
• Lisa Hannett, “Consorting With Filth”
• Robert Hood, “Double Speak”
• Kathleen Jennings, “A Hedge of Yellow Roses”
• Maree Kimberley, “Ninehearts”
• Jay Kristoff, “Sleepless”
• Martin Livings, “El Caballo Muerte”
• Danny Lovecraft, “Reminiscences of Herbert West”
• Kirstyn McDermott, “Self, Contained”
• Sally McLennan, “ Mr Schmidt’s Dead Pet Emporium”
• DK Mok, “Almost Days”
• Faith Mudge, “Blueblood”
• Samantha Murray, “Half Past”
• Jason Nahrung, “Night Blooming”
• Garth Nix, “The Company of Women”
• Anthony Panegyres, “Lady Killer”
• Rivqa Rafael, “Beyond the Factory Wall”
• Deborah Sheldon, “Perfect Little Stitches”
• Angela Slatter, “Bluebeard’s Daughter”
• Cat Sparks, “Dragon Girl”
• Lucy Sussex, “Angelito”
• Anna Tambour, “Tap”
• Kaaron Warren, “Mine Intercom”

 

Chickens and stories

This is where ideas come from:

You mention on Twitter that you don’t know how you started following the local Hereford Breeders society but that you find it soothing. A friend asks for recommendations for chicken fancier accounts.

The search is unsuccessful, but when you sit down to warm up for some other projects with some watercolour painting, you have chickens on the brain.

Fancy chickens.

 

You are taken by the idea of Fury-Road-but-with-chickens. But also you were thinking about eighteenth century dresses, because of Tremontaine, so you give a fancy lady a chicken.

But you aren’t sure you got the jacket quite right, although you want those sleeves, so you get into bodice construction and bowls of eggs because those are also hard to paint pleasingly. Since this is clearly a Cinderella-type, she gets a fancy dress too. You are quite pleased with these Daniel Smith colours and also with that shoe.

It seems likely Reynolds would have painted her godmother at some point, so another dress happens. Your dad was watching Pride and Prejudice in the next room so a bit of Catherine de Bourgh gets in there.

She’s a little too straightforward, and also accidentally stepping on her hem, although that is an effect you might go for deliberately another time. You like her skirts, however.

You are now enamoured of two half-seen fabric designs, and decide to sketch them out in more detail. A costumer friend would like to make one of the dresses, so these plans may coincide. You have the beginnings of a chickenful fairytale idea, and also that first dress just about captures the feeling of a story idea you had last night when you started transplanting the bits you like of Supergirl into assorted historical contexts. This is now half-outlined and has about 1000 words of test-scenes.

An author friend points out that the first lady should be wearing clogs, which leads to a discussion about pretend chicken farmers, and although you meant to refer to Le Petit Trianon, somehow you are led astray into talking about “fake cheep girls” and everyone agrees you should stop talking for the day.

 

This week: news and matters of note

This week on Twitter etc. (rings by Janet Kofoed)

• “What dreadful Hot weather we have! – It keeps one in a continual state of Inelegance.” – Jane Austen, writing to her sister Cassandra, Sept. 1796
• The Bitterwood Bible is now out in paperback.
• I drew Alison Goodman, author of Lady Helen and the Dark Days Club, for Angela Slatter’s interview with her. This is one of alternative sketches – you’ll have to click through to see the final:

• The X-Files finally started in Australia (everyone complained about the pop-up ads but I thought it restored the nostalgia which the shock of watching on flat-screen in HD took away). In commemoration, here is the original music video to Bree Sharp’s “David Duchovny” which is so full of wait-was-that? cameos that it bears watching to the very end:

• If you are into Old Hollywood, You Must Remember This, or Catherynne M Valente’s Radiance, then this long but cumulatively charming article from Brisbane newspaper The Truth, only 100 years ago, is a winsome read: Where Films Are Faked, Fixed and Finished.
• The rather marvellous talking-to-writers expedition last week included much talk of pens, and it is one of the joys of working in these fields that asking “what pen do you use” tends to result in an arsenal emptied over the banquet table (that was at Illuxcon), while their owners trade virtues and merits. For the record mine are: Hunt Crowquill 102 with Winsor & Newton India Ink (drawing), Pitt Artist Pens (sketching), slim fine ballpoint (for notes, although I haven’t settled on one that is reliably non-blotting).

• Peter Ball’s post on “Prose, Blocking and the Perfect Combination” has a very useful approach to thoughtfully orchestrating the action in your writing.
• Peter’s post (above), however, also underlines the degree to which storytelling advice translates across media. Illustration, movies, novels: all these contain examples and principles which can be incredibly helpful no matter what field you’re working in. Plus, if you need another incentive to watch Every Frame A Painting, it is 7 minutes of all the Best Bits.
• Another resource for those trying to make the impossible believable is James Gurney’s Imaginative Realism (that’s James National-Geographic-and-Dinotopia Gurney). It’s also just interesting – my mother made off with my copy to read it. His rather good blog is Gurney Journey.
• Here’s a less accessible but in-depth look at some myths about classic composition advice – of direct use to photographers and artists but, I would argue, also very useful to writers if you don’t mind doing some heavy lifting with metaphors (and you’re writers, aren’t you?): 10 Myths about the Rule of Thirds
• The Ship Song Project continues to be beautiful – when I sing it while doing the dishes, this is the version I try to sing:

 

 

Books read, things seen – January 2016

Books finished

The Accidental Creative – Todd Henry: Read on Peter Ball‘s repeated recommendation, and proving very practical as I sort out how this year is working.

The Black Sheep – Georgette Heyer: I’d forgotten I’d read this book until I reached the last few chapters (of which I’m rather fond). Mari Ness’s write-up of this on Tor.com (Almost Slumming It: Black Sheep) is, as usual, thoughtful and thought-provoking: “Miss Abigail Wendover, the protagonist of Black Sheep, is under the very understandable impression that she is in a Georgette Heyer novel.”

The Scarecrows – Robert Westall: courtesy of Kelly Link

The Seance – John Harwood: recommend and lent by Angela Slatter, with a gorgeous Niroot Puttapipat cover.

Radiance – Catherynne M. Valente, with a Will Staehle cover which perfectly captures this “decopunk pulp SF alt-history space opera mystery set in a Hollywood-and solar system-very different from our own”

The End of a Fence – Roman Muradov: I still have no idea what happened in this little graphic novel but I liked it, and the author has confirmed that is the point. It operates slightly below the conscious level, is very beautiful, and without looking in the least like it reminded me slightly of the world of Shaun Tan’s The Lost Thing.

Claiming the Courtesan – Anna Campbell’s debut novel

Assorted books in progress

Making Your Own Days – Kenneth Koch

Boy, Snow, Bird – Helen Oyeyemi

The Memoirs of Harriet Wilson – Harriette Wilson

Chocolate and Cuckoo Clocks – Alan Coren

Movies and music

Sherlock: The Abominable Bride

The Big Short

Joanna Newsome concert

Thoughts

A pattern I noticed across many books I read this month was that of lies, duality, falsehood and their power to create truth, or something new and true and separate from the truth they started off from…

 

Second-hand and Antiquarian

My next project with @AngelaSlatter, apparently https://t.co/1qb6ZjFX25

—
Kathleen Jennings (@tanaudel) October 22, 2015

(Being a small Twitter diversion for October – the first title incorporates several Angela Slatter stories which prompted the exercise)

Second-hand and Antiquarian

– The Book of Spells and Skin and Words
– A Catalogue of Sins of Birds
– The Compleat Changer’s Almanack
– A Monograph on Rare Sea-Wrack

– A Treatise on the White Blood Moon
– A Guide to Whales (with Whaling Runes)
– The History of a Hearthside Ghost
(Inscribed: To She Who Haunts Me Most)

Of the books you requested, these
Are currently in stock, so please
Find them enclosed. We will retain
Your list on the offchance we gain

– A first ed. Necronomicon
– A Tour Guide On the Rubicon
(Please write, if others spring to mind).
Sincerely, yours, the undersigned.

 

Hear Me Roar: Book giveaway

 

Ticonderoga Publications is giving away a copy of its latest anthology Hear Me Roar through Goodreads. The giveaway is currently open and finishes on 1 August 2015.

• Cherith Baldry, “Star Bright”
• Jenny Blackford, “The Sorrow”
• Kay Chronister, “Dustbowl”
• Stephanie Gunn, “Broken Glass”
• Kathryn Hore, “Generation Zero”
• Kathleen Jennings, “A Hedge of Yellow Roses”
• Faith Mudge, “Blueblood”
• T R Napper, “The Silica Key”
• Rivqa Rafael, “Function A:save(target.Dawn)”
• Alter S. Reiss, “Catalysis”
• Jane Routley, “Barista”
• Cat Sparks, “Veteran’s Day”
• Kyla Ward, “Cursebreaker: The Mutalibeen and the Memphite Mummies”
• Marlee Jane Ward, “Clara’s”
• Susan Wardle, “A Truck Called Remembrance”
• Janeen Webb, “A Wondrous Necessary Woman”
• Eleanor R Wood, “The Fruits of Revolution”

My story, “A Hedge of Yellow Roses”, is about what happens to fairytale curses which are given too late, and what becomes of enchanted girls when there are no princes left. It begins:

Vagabonds leave signs in the road for those who know how to read them. Royalists also have their secret language of warnings and betrayals. This story too, in its fashion, is a sign to mark the way I went.