silhouettes


First of all, congratulations to all the winners and finalists for this year’s Ditmar Awards!

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If you were following the ballot announcements, you might have seen that I was shortlisted for “Best Fan Artist”, but that no award was given. This is because I asked the committee if I could be withdrawn from eligibility – it’s been such an honour to receive several Ditmars in this category, but there are so many wonderful and committed fan artists who should be promoted and considered, and as most of my illustration work is professional now I wanted to make sure attention goes where it should. Always happy to accept nominations in other categories, though!

However, I was a bit conflicted about withdrawing this year – because I designed the Ditmars, and I kind of wanted one!

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My part of the design was a cut paper silhouette – so much fun with the swirly bits!

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But the awards were cut and constructed by Allan Carey of the marvellous Type40 – your source for all your themed shield and weapon needs (check out the Wonder Woman shield!)

 

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Type 40

 

 

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Into the Woods - TOBEYOU exhibition

This is a cut paper piece (c 8×8 inches) that I made for Light Grey Art Lab‘s exhibition TOBEYOU: personal narratives, tales and memory.

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It is called “Into the Woods”, and is about growing up reading fairytales when you live in the Australian bush. The protagonist of the illustration is far more willowy and on-trend than I ever was when I did this.

The original is for sale at Light Grey Art Lab (in Minneapolis, and on their website), along with many, many other beautiful works of art.

I also made a few cyanotype prints (sunprints) of the illustration.

Into the Woods - TOBEYOU exhibition

 

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Here is the cover art for the final episode of Season 2 of Serial Box’s serialised prequel to Ellen Kushner’s Riverside novels, Tremontaine!

Earlier posts:

The final episode of a season is almost as difficult to illustrate as the overall season cover. How to represent what happens in this particular episode, while being true to the overall arc of the season and catching the right elegiac or hopeful note…

As a result, there were a lot of thumbnail sketches.

Tremontaine S2 E13 thumbnails

We went with the image of a Kinwiinik ship taking to the waves. Here are the final pencils.

Tremontaine S2 E13 pencils

And at last, alas, the finished cover (I’m particularly fond of the poppies). The final layout and design is, as ever, by Charles Orr.

Tremontaine S2 E13 final cover

The Illustration Friday topic is “mischief”, which has a rather softened meaning in modern English.

The illustration, however, turned into the love child of The Cheshire Cat and Tailypo, and other things that hang head-down from the trees and whisper to you.

Illustration Friday: Mischief

I’ve also been playing around with cyanotypes (sun prints), so here is a print made with the original silhouette.

Illustration Friday: Mischief

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I had the blinding epiphany today, after trying out some white graphite transfer paper (Royal Langnickel which is the best name) that instead of squinting to see lead pencil lines on black paper, I could have been using a white pencil this whole time.

This isn’t a complete conversion: the lines aren’t as fine and don’t erase (whatever Royal Langnickel claims about kneadable erasers), so it’s only really good for designs that are fully developed before I transfer them to the paper – direct composition will still be pencil.

But good grief.

(And remember, patrons on Patreon get early previews of some projects).

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Here is the cover art for the next two episodes of Season 2 of Serial Box’s serialised prequel to Ellen Kushner’s Riverside novels, Tremontaine!

Earlier posts:

Episode 11 or The One In Which Nothing Good Happens. Since I read manuscripts to look for images to illustrate, my reader-reaction is usually somewhat muted. Not in Episode 11. I’ve obviously read Season 1, but also I’ve read the novels that are set later, and suddenly a whole lot of events started rushing together to squish my beloved characters.

Tremontaine S2 E11 - thumbnails

I had to keep putting the manuscript down to worry, and then read on with my hand covering the bottom of the page so I couldn’t spoil it for myself. If you click on this link it should take you to the Twitter thread of me mostly just gasping and hiding under the sofa cushions:

However! We decided to go with the silhouette of the city, looking back to the original cover for episode 1.

Tremontaine S2 E11 - pencil

And it was so much fun to cut out. Sort of a Schroedinger’s Advent Calendar.

Tremontaine S2 E11 - final

Here’s a detail:

Tremontaine S2 E11 - detail

To avoid spoilers for episode 11, I have cut off all the captions for the thumbnails for episode 12.

Tremontaine S2 E12 - thumbnails

But you can probably guess life isn’t great for all our characters.

Tremontaine S2 E12 - pencil

Not great at all.

Tremontaine S2 E12 - final

(And remember, you can see behind-the-scenes peeks of future art if you become a patron through Patreon.)

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Here is the cover art for the next two episodes of Season 2 of Serial Box’s serialised prequel to Ellen Kushner’s Riverside novels, Tremontaine!

Earlier posts:

So much drama! And everything is winding towards the TERRIBLE EVENTS of the last episodes.

Tremontaine S2 E9 - thumbnails

So we went for pure drama – a scene at the theatre, and lots of fun to be had with draperies, fringes and evil leaning gentlemen.

Tremontaine S2 E9 - pencil

And getting confused by all the curly bits.

Tremontaine S2 E9 - final cover

I should have put together a selection of Diane reaction shots from these thumbnails. She’s such a contained, boiling character.

Tremontaine S2 E10 - thumbnails

We had a bit of difficulties narrowing this one down – I ended up putting together full pencils for two of the thumbnail designs, and two of one image, because old fashioned locks aren’t always easily identifiable as such, especially at a small scale (worth image searching, though – so lovely).

Tremontaine S2 E10 - pencils

In the end we decided on Kaab, emoting.

Tremontaine S2 E10 - final cover

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