Here is a tiny linocut Holstein-Friesian cow for this week’s Illustration Friday topic, “black and white”. And, of course, a cattle bird.
The choice was heavily influenced by my current reading: Ovid’s Metamorphoses (tweets start here), where cattle (and snakes) feature heavily (“the same they did out Queensland way…”).
I’m still feeling my way around this media, so expect a few more pieces as I working on getting it obey my will. Mwhahahaha.
So these are all the calendar pages from 2018, made with the support of (and released early to) patrons on patreon.com/tanaudel (should you care to join…:)
My personal favourites (as calendar patterns) are currently the selkies (May), sacred deer (August), and ships with seamonsters (December). But I’m rather fond of the stories hidden in July (walking characters) and October (Gothic). And Goldberry’s shoe. And the spotty cat. And swans in sweaters…
Some of these are up on Redbubble as prints and patterns, but if there’s anything else you’d like to see there, do let me know!
Welcome to the March calendar, brought to you with the support of my patrons, who make this much inking time possible, and who get the calendar early — and other things.
This month’s design finds its origins in a combination of William Morris designs and red-figure pottery (both of which are much livelier in real life than in reproduction).
Below are versions you may download and print at home, pre-coloured or to colour. I’ve also put the colour version up as a print on Redbubble. No scarves, etc., (yet, or at least not without some heavy intervention), as I did not design it to fill that shape.
If you do use and/or colour the calendars, I’d love to see photos in the wild — please feel free to share! And if you’d like to join on Patreon (or otherwise throw a few dollars at the calendar) — thank you for helping make these images happen!
Holly Black’s The Wicked King, the follow-up to The Cruel Prince, is now well and truly out. Finally. I’ve been sitting on the plot of this book for a year and am delighted at seeing everyone else’s reactions to it now.
I did not do the cover — that is by artist Sean Freeman and senior designer Karina Granda, and they have a post about it here: Evolution of a Cover.
I, however, did draw the internal ornaments, and… updated the map.
The map begins from the same place as my map for The Cruel Prince, with certain shifts and adjustments for the direction this book takes.
Below is one of my favourite changed details. Before:
I’m gradually expanding the published maps category over on my portfolio. Stay tuned!
The Illustration Friday topic this week was “electronic”, and since I’ve been regretting my (unavoidable) inability to enter the Folio Society illustration competition, my thoughts were on Diana Wynne Jones’s books, and the unexpected co-appearances of magic and more contemporary technologies.
So here is a Howl, of Howl’s Moving Castle, as loosely suggested by a scene that is in the book, but not the movie!
And here is the original piece, with my hand for scale.
A little cut-paper moon-thief, for Illustration Friday.
Floating islands for this month’s printable calendar. It’s brought to you by my patrons at patreon.com/tanaudel (thank you all! and if you’d like to join in, there are also new Dalek drawings going up each month at the moment).
These were a lot of fun to draw, once I stripped out the far too many sketches extending the civilisation/mythos (although there was a floating deck chair I was rather fond of). I imagine the Aeolian harp adjusts them for altitude/turbulence.
The unwonted use of halftone is directly attributable to having watched Spiderman: Into the Spiderverse which was very much an illustrator’s movie.
Edit: I’ve put the image on Redbubble as a print. If there’s interest (or I decide I want it on a sundress:) I’ll look into doing a repeating pattern.