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First of all, congratulations to all the winners and finalists for this year’s Ditmar Awards!

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If you were following the ballot announcements, you might have seen that I was shortlisted for “Best Fan Artist”, but that no award was given. This is because I asked the committee if I could be withdrawn from eligibility – it’s been such an honour to receive several Ditmars in this category, but there are so many wonderful and committed fan artists who should be promoted and considered, and as most of my illustration work is professional now I wanted to make sure attention goes where it should. Always happy to accept nominations in other categories, though!

However, I was a bit conflicted about withdrawing this year – because I designed the Ditmars, and I kind of wanted one!

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My part of the design was a cut paper silhouette – so much fun with the swirly bits!

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But the awards were cut and constructed by Allan Carey of the marvellous Type40 – your source for all your themed shield and weapon needs (check out the Wonder Woman shield!)

 

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Type 40

 

 

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Telling the Map - cover

I’m delighted to show you my cover for Christopher Rowe‘s collection Telling the Map, now available for pre-order from Small Beer Press. Wonderful strange stories of post-singularity hope and cycling, with one of my favourite gentle story endings. I can’t wait for you all to read it so that I can finally talk about it!

Here are some of the early thumbnail sketches. The art direction was for a map with vignette illustrations inset. Fitting the relevant geography around the necessary images and text was a spatial challenge, as I couldn’t purely invent it but did need to make it serve the design.

Telling the Map - thumbnails

I’d previously illustrated the first story in the collection, “The Contrary Gardener”, for Jonathan Strahan back in 2013(!), and it was such a pleasure to come back to this world.
"The Contrary Gardener"

I’m very much enjoying working on illustrated maps. Stay tuned for another coming up soon! (Or join us on Patreon to see these projects in progress and get early reveals).

June calendar - art

It is the beginning of winter here, so I thought something Persephone-esque would be suitable for the June calendar (brought to you with the help of my patrons – join us!). Also, between Gone Girl (which we were teaching in one of the subjects I tutored this semester) and John Wick Chapter 2, I’ve been thinking about allegorical after/underworlds. With cheerful little moths.

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I’m working on a pretty little repeat of the pattern ($7+ patrons are helping me decide on colourways). So here it is, for colouring or pre-coloured.

The calendars are free, but a lot of work goes into them, so if you’re able to throw a few dollars in the Patreon, even if just for a month a two, that would be a huge help. If you can’t, it would be great if you could tweet or post a link to my Patreon now and then – every bit helps. Plus, you get behind-the-scenes glimpses and other extras, and one day, when we hit that goal, more Daleks.

June 2017 Calendar - colourJune 2017 Calendar - lines

 

 

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For the May calendar, a folly of wyverns. This calendar was made with the support of my patrons on patreon.com/tanaudel, and if you’d like to help bring out future months, that would be wonderful!

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You can get the calendar early, there’ll be sneak-peeks of future projects, printable stationery… If I get enough support, I may even be able to restart the Dalek Game.

May 2017 calendar - art

In the meantime, here is May, to print pre-coloured or for colouring in.

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Into the Woods - TOBEYOU exhibition

This is a cut paper piece (c 8×8 inches) that I made for Light Grey Art Lab‘s exhibition TOBEYOU: personal narratives, tales and memory.

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It is called “Into the Woods”, and is about growing up reading fairytales when you live in the Australian bush. The protagonist of the illustration is far more willowy and on-trend than I ever was when I did this.

The original is for sale at Light Grey Art Lab (in Minneapolis, and on their website), along with many, many other beautiful works of art.

I also made a few cyanotype prints (sunprints) of the illustration.

Into the Woods - TOBEYOU exhibition

 

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Here is the cover art for the final episode of Season 2 of Serial Box’s serialised prequel to Ellen Kushner’s Riverside novels, Tremontaine!

Earlier posts:

The final episode of a season is almost as difficult to illustrate as the overall season cover. How to represent what happens in this particular episode, while being true to the overall arc of the season and catching the right elegiac or hopeful note…

As a result, there were a lot of thumbnail sketches.

Tremontaine S2 E13 thumbnails

We went with the image of a Kinwiinik ship taking to the waves. Here are the final pencils.

Tremontaine S2 E13 pencils

And at last, alas, the finished cover (I’m particularly fond of the poppies). The final layout and design is, as ever, by Charles Orr.

Tremontaine S2 E13 final cover

I hadn’t yet read any of Frances Hardinge‘s novels when Gili Bar-Hillel of Utz Books asked me to illustrate the cover for the Hebrew translation of The Lie Tree. And oh, it is so very good!

Here are a few of my first thumbnail concepts for the cover.

The Lie Tree - thumbnails

The novel is a beautiful combination of gothic mystery, scientific discovery, faith, lies, ambition, hubris and secrets. Part way through I realised that it felt like Matthew Arnold’s poem “Dover Beach”, and then a particularly apt sentence sent me back to the beginning to check for a nonchalant line that convinced me this was entirely deliberate on Hardinge’s part.

Here are the pencils. We decided to go with more open vinework around the title.

The Lie Tree - pencils

I then cut the final image out of black paper, and sent it through for the designer, Dor Cohen, to do wonderful things with.

The Lie Tree - cover

The Hebrew translation of France’s Hardinge’s novel The Lie Tree, translated by Yael Achmon, is now available for pre-order from Utz Books: The Lie Tree.

Thanks to my supporters on Patreon who help give me time to put together these process posts (and who get to see projects like this early).

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