Do you like crime? mystery? forgotten books of the 19th century?
I’m very delighted to be involved with the cover designs for the first books of this new teaching press at UQ: Corella Press.
Corella Press is a not-for-profit small press committed to making beautiful, collectable editions of recovered Australian nineteenth-century crime and mystery stories.
Corella Press launches with Bridget’s Locket and Other Mysteries by ‘Waif Wander’ (Mary Helena Fortune). This triptych of works by a premier Australian crime writer of the nineteenth century includes Dora Carleton: A Tale of Australia, a novella published for the first time since 1866.
I will reveal more as I can. In the meantime, here is a teaser:
Welcome to the December calendar (brought to you, as ever, with your priceless support on Patreon – we’re $10 short of restarting the Dalek Game again over there, should you wish to help!).
Due to all the maps of recent days, I’ve been wanting to do a pseudo-nautical calendar (again — there’s a cameo appearance from August 2017‘s cast this month).
It was not intended to be a festive calendar (although I might make a sea-serpent garland this year), mostly because I was travelling and forgot this would be for December. (I am home now, and reminded of it constantly.) However, should you require a carolling connection, just pick any three ships (or check out the Patreon, for occasional stationery from this and previous years).
The calendar page is below, pre-coloured or to colour at home.
Hello from JFK Airport (I’m heading home!) and welcome to Submissionland! This is a map I have been working on for Aidan Doyle’s Writer’s Book of Doubt, the kickstarter for which has just opened (and nearly funded). You can find out more about the map, essays, etc on the campaign page: The Writer’s Book of Doubt.
Tansy Rayner Roberts’s Creature Court covers have been revealed!
These city silhouettes were so much fun (and detail), and the silhouette of Aufleur, for Book 1, is at the World Fantasy art show in Baltimore right now.
If you’re at World Fantasy, the art show this year is FABULOUS. And I’ve brought a lot of original art including this one.
The cats of November!
Greetings from sunny California, with a background soundtrack of trains, coyotes, and The Fictator typing in the next room.
These cats were so much fun to draw — especially the brown and white one. I’ve always hesitated a bit over cats, but this time it seemed to come together: the reference, the practice, and memories of cats I’ve known, the way they move and look suspiciously around and the peculiar arrangements of their muscles.
Printable versions are available below – pre-coloured, or to colour yourself.
This month’s calendar is, as usual, brought to you thanks to the support of people through Patreon (there will be some new sneak-peeks and glimpses of work in progress going up there soon, if you’ve been considering joining — and two years’ worth of printable December stationery at the $3+ level, if you’re so inclined).
GennaRose Nethercott – The Lumberjack’s Dove
I have just had the opportunity to design a second enamel pin, this time for GennaRose Nethercott’s beautiful poem The Lumberjack’s Dove, just out from HarperCollins. My copy just arrived in the post this week, together with a beautiful poem by GennaRose just for me (and, separately, Tom Hiron’s Falconer’s Joy – another poem of a very different modern mythology).
I really enjoyed designing this pin. It was a completely different proposition from the Creature Court enamel pins, in both style of book and of art. The approach, however, was similar: to create an image that would undeniably connect to and represent the book but also function as a beautifully (if mysteriously) iconic design in its own right. Something people might want to wear or admire even if they hadn’t read the poem (or novel), but with a connection it would be difficult to forget.
Below are some of the process sketches (supporters on Patreon got to see this one in more detail as it developed).
And here is the final pin. I have not yet worked out how to photograph gold properly, but it so very shiny!
For information about opportunities to get a pin, follow GennaRose. The National Poetry Series Competition winning poem is now available from HarperCollins: The Lumberjack’s Dove. And for more behind-the-scenes art than I can share entirely publicly, check out my Patreon page.
Oh, and I design pins now.
The October calendar, fleeing to you across the moor, is brought to you (as usual) by my very generous supporters on Patreon, who also get it early (and stationery, and sneak-peeks…).
It is also brought to you by: lurid Gothic novel covers art, Nancy Drew endpapers, and Sarah Rees Brennan’s classic “Jane Eyre, or: The Bride of Edward ‘Crazypants’ Rochester“, which is delightful to read in parts at social gatherings.
You can print it pre-coloured or to colour yourself at home. As always, if you’re willing to share your versions, I’d love to see them.
And if you’d like to support the calendar and related projects, Patreon offers support levels from $1 a month, or there’s a PayPal tip jar here: PayPal.me/tanaudel.