Welcome to the August calendar! Brought to you, as ever, with the help of those of you who are patrons on Patreon.
This terribly busy design is what happens when I think I’ll do something quick and early, to get it out of the way before travel, and end up hiding out in Dartmoor colouring tiny bees (so many tiny bees) in between editing manuscripts.
But tonight, fairly unexpectedly, we went to see The Lord Chamberlain’s Men perform A Midsummer Night’s Dream at Killerton, and it was enchanting.
Below, for personal use, are the printable versions of the calendar — and if you do enjoy these and are inclined to support the calendar (for it does take a bit of time!), then support on Patreon or paypal.me is always welcome!
(I do plan to put together a repeating pattern from this once I’m home from this work trip).
This instalment of the Dalek Game is for Shakespeare’s A Midsummer Night’s Dream. It is also an excuse to practise drawing donkeys – one day the necessity will arise! I think it is a little better than the last one (for the same play – I am only practising donkey heads). Certainly cuter, and when drawing Daleks that is evidently the prime consideration.
A Midsummer Night’s Dream is not my favourite Shakespeare – I have not decided what is. Neither its title nor its stage directions are as wonderful as A Midwinter’s Tale (although I had to wait for J. K. Rowling before I learned how to pronounce Hermione). I am not certain why I resist it – perhaps because it conjures up such a floating, sweet image, although that isn’t what I get when I sit down and read it. Perhaps it is the general connotation it takes in the collective consciousness? A shame, if it is, because parts of it are – or should be – hysterically funny.
My current favourite references/adaptations/reworkings of it are:
- Dead Poet’s Society (directed by Peter Weir and written by Tom Schulman) – for the ethereal tragedy (I get flashbacks to this whenever I watch House).
- Terry Pratchett’s Lords and Ladies – for a very funny, very nasty, very (what? respectful? faithful? something different but equal to that) Discworld take on the story, with all of the beauty that ought to be there and all of the horror and earthy bloodiness which makes the beauty terrifying. Also the stick-and-bucket dance. I commend to you Tansy Rayner Robert’s post on this book: Slash! Stab! A Lesson in Practical Queening.
- Neil Gaiman’s short graphic story “A Midsummer Night’s Dream” (drawn by Charles Vess and coloured by Steve Oliff) – for an interleaving of the play with its historical setting and performance, within the story of Sandman: complex, beautiful, complete.
It would be easy, I suspect, to take a wholly unpleasant reading of the play – no doubt it has been done. I appreciate the role of that sort of reading and storytelling, but it usually feels to me more as comment/exercise than a distinct and independent Thing In The World. What I love about the pieces above is that none of them disregard the beauty which is associated with the story in order to rewrite it into nastiness. They are all truly beautiful. But the loveliness which could be merely pretty or at worst cloying is not only offset by the darkness: together they make something very solid and elegant and – without detracting at all from that – funny. All three have scenes which still, in recollection, make me laugh aloud (“this desk set was made to fly”).
I’m reminded of Catherynne M Valente’s story “A Delicate Architecture”, in which sweetness must be offset by the hint of salt and marrow. Which conveniently leads me to…
In other news: To Spin a Darker Stair, a boutique collection of two short stories by Catherynne M Valente and Faith Mudge, and illustrated by me, is on pre-order from Fablecroft Press (more news on the cover when it appears). Also, speaking of English takes on fairy queens (and taking on English fairy queens), I drew some pictures of Janet and Tam Lin for Illustration Friday.