Here’s a little gouache painting I did to practice deer (and use up paint!) – it’s ever-so-slightly fanart for the game “Kiss Me Deer” as played by the Bennet sisters in the book of Pride & Prejudice & Zombies).
It was also preparation for another painting I was making as a gift (that one is for slightly more limited circulation, but can be seen at the Duck level & above on my Patreon).
The art of scanning gouache is one which I have yet to study in more detail. Perhaps photography is the way to go.
Speaking of the Patreon, if you’d like to throw a dollar in the hat towards the monthly calendar, or subscribe at a higher level to get extra printable stationery and behind-the-scene peeks at upcoming projects, this is a great way to do it. You could even put it on your wishlist!
Welcome to Midnight, Light Grey Art Lab’s exhibition of dreams, which has opened today in Minneapolis and online.
Prints of the artworks are available for purchase, and there is a a permanent exhibition online.
I’d been keeping track of dreams out of curiosity, and began to focus on a series of dreams I had which I clearly recognised as anxiety dreams from the last time I was at university: snakes, searches, war, volcanoes. This time, however, everything was always dealt with calmly and ended happily. Also there was a dream about pineapple butterscotch upside-down-cake.
I narrowed the choices down to a dream about taking shelter in a zoo in an office building in a wartorn city. I don’t dream in my own style, and the strongly backlit scene from the dream was a new approach to try.
After a series of tests, I decided to do a pen and ink drawing with digital colour (I kept panicking about getting the yellow wrong, and was submitting the art digitally for this exhibition).
And here is the final piece, The Peaceable Kingdom. You can even try your hand at dream interpretation, if you so desire.
This Illustration Friday picture began as mammoths.
First I tried to draw them without reference, but it turned out I was a bit hazy on which parts were raised and which lowered, and started evolving a sort of hairy bison-pig.
Reference didn’t necessarily help that much. They have those weird elephant knees and feet (why do elephants paint their toenails red?) which make them look a bit like two men in a hide.
Then it trended a bit violent with the hedgehog mafia (not show) but I pulled a Spielberg and turned their guns into icecream cones, and after that it was all inevitable, really.
I drew the final image digitally, and while I like it I prefer the weight of hand-drawn lines. I may rework the image at some point, but in the meantime it is up on Redbubble on some t-shirts and as stickers for summer.
In which I endeavour to learn my way around Inkscape by way of Harry Potter fanart. Specifically young, mod McGonagall.
This began as a pen and ink drawing, which I may yet colour with watercolour. I don’t plan to use vector programs much more than I do at present (mostly for cleaning up lines), but there are always techniques it will be useful to know in case of future emergencies (this PSA brought to you by past emergencies).
Some spooky things in trees for October!
I did this at the last minute, which is why there is so much going on in the picture. I also watched a lot of Frost tonight. And did some other illustrations. And it is 2am, good grief. My eyes basically look like the eyes in these pictures.
I changed the order in which I coloured the under-layers, and am getting closer to a useful effect.
By clicking on the images below, you can print the calendar either pre-coloured or for colouring in.
And I’ve put it up on Redbubble, too, on assorted things.
I was preparing a sequence of pen-and-ink foxes, but one got away.
(A trifle late this week – I’d intended to colour this in between other jobs, but my computer was required for watching a Barbara Cartland movie marathon).
(Also, from an illustration perspective, bicycles are complicated).