The Queen of Nothing — the map!

QueenOfNothingMap

The Queen of Nothing, the third in Holly Black’s Folk of the Air trilogy, and sequel to The Cruel Prince and The Wicked King is now out! I’m visiting Massachusetts at the moment and got to ride along to Holly’s first event of her tour, at An Unlikely Story. But now I can also show you the map.

I have loved adjusting the map for this series (although altering wave patterns in ink with each new ocean detail, and splicing them in digitally, was certainly a challenge!).

Under the map (above) are sketches of possible treatments of the corners and new details. But other new pieces came from the little thematic sketches I made along the way (no spoilers).

QueenOfNothingLittleSketches

A few of the little original ink drawings of tiny new details are now available at Book Moon Books in Easthampton, Massachusetts (or will be by tomorrow, when I am sketching there!). Below is the tiniest.

(The cover art is not by me. Sean Freeman has been illustrating those, with design by Karina Granda. BUT I did draw the foil designs under the dust jackets on the hardcovers — and got to meet a girl with the Cruel Prince design tattooed on her arm, which was very exciting!).

TiniestFox

Art by Sean Freeman, design by Karina Granda, tiniest fox by me, SNAKE by Holly Black

Sketching! (Surprise…)

Sketching

(Edit: This was Friday 22 November)

As part of Cottage Street, Easthampton’s Grrl’s Night Out event, I will be doing some sketching at Book Moon Books. There will also be some original art for sale, for a variety of projects including (but not limited to) ornaments and illustrations for books by Holly Black and Cassandra Clare…

The Wicked King – map!

MapInBook

Holly Black’s The Wicked King, the follow-up to The Cruel Prince, is now well and truly out. Finally. I’ve been sitting on the plot of this book for a year and am delighted at seeing everyone else’s reactions to it now.

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I did not do the cover — that is by artist Sean Freeman and senior designer Karina Granda, and they have a post about it here: Evolution of a Cover.

I, however, did draw the internal ornaments, and… updated the map.

InternalOrnament

The map begins from the same place as my map for The Cruel Prince, with certain shifts and adjustments for the direction this book takes.

WickedKingForWeb

Below is one of my favourite changed details. Before:

MapBefore

And after:

MapAfter

I’m gradually expanding the published maps category over on my portfolio. Stay tuned!

The Cruel Prince – ornaments!

Guess what! I’ve ornamented Holly Black’s newest book, The Cruel Prince which comes out next year (and is available for preorder now – if you are in the US and enter your preorder details at http://thenovl.com/cruelprince by 11:59 PM (ET) on 1 January, there are freebies).

I did not do the cover, but I did draw the map, chapter decorations and incidental ornaments.

The picture below links to a short Instagram video of a few pages, including the map.

I’ll post more as the book comes out, but I was so excited to work on this – the map especially.

What I Did On My Holidays: Part the Third – World Fantasy and Brighton

Note: If you click on a picture, that should take you through to its Flickr page, where you will have an option to view a larger version.

Part One is here: Brisbane Airport and Oslo.

Part Two is here: Dartmoor.

After a last farewell to Dartmoor, a walk along the Cobb at Lyme Regis, an altercation with a lorry near the New Forest (huzzah for steady-nerved passengers and comprehensive insurance), and the GPS in a final effort to establish its supremacy taking us to Arundel Castle instead of the Metropole, Ellen, Delia and I arrived in Brighton for the World Fantasy Convention 2013.

That is Brian Aldiss with the tea.

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I don’t sketch at conventions as much as I used to, now that I know more people (one reason being Artist at Large at the Brisbane Writers Festival was so much fun was that I was officially meant to be drawing over talking). So I had a marvellous time at WFC, but did not draw many pictures. Most of my drawing was scribbling ideas during panels, e.g. this during the “Broads with Swords” discussion:

Swords

I did sit at the signing tables during the mass signing in order to draw everyone else – I learned last year that was a good vantage point. And one person did come up and ask me to sign a book I have a story in (ahem), so that was thrilling!

Here are two panels  of people you probably haven’t heard of: A YA discussion with Delia Sherman, Susan Cooper, Garth Nix, Neil Gaiman, Will Hill and Holly Black, and Nifty Shades of Fae with Tanith Lee, Joanne Harris, James Barclay, Angela Slatter, Lisa Hannett, Grahame Joyce and James Barclay. There are also a few Irene Gallo cameos in the pages, because I usually draw the people with cameras.

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Unfortunately, I was taken violently ill on Saturday evening and had to leave the art reception early to be miserable in my room. The hotel reception sent up Twinings Peppermint Tea as a sovereign remedy. Ellen also plied me with medicinal infusions the next day.

Taken Ill

As a consequence, I only have a tiny picture of my art at the show. I will post some better images of the pictures later!

Pictures at World Fantasy 2013

Absence of pictures aside, I had a wonderful convention – talked to a lot of people, mostly, which is the point. It is difficult to narrow down particular highlights, as I keep remembering things and people to mention – charming ladies’ literary dinners (after the ladies in question unpacked our car in a team while I sat trembling in the driver’s seat), operatic serenades over dinner with the Australian contingent, lunches where no-one simply shared common gripes or tried to curry favour but simply waved their hands and discussed shared enthusiasms (stories, Dianna Wynne Jones and Dorothy Sayers). And of course I wasn’t drawing during any of those conversations – I will try to draw you all next time!

Following the convention, Aimee (Aimee L, not Aimee-my-housemate) and I went touring Brighton. I drew Aimee photographing the giant seagulls. We also ate giant meringues. I bought this marvellous panorama history of Aviation (I want the Nobrow Press Leporello series to be longer and also all of them) and we visited the Royal Pavilion, where we both fervently wished for a coffee book on the subject of wallpaper restoration.

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The most touching moment was seeing the paintings of the music room when it was used as a hospital for Indian soldiers in WWI. It had the most beautiful ceiling, which Aimee is photographing here. We ate horrible hotdogs on the pier and collected Shelley to go to Thor II, and all the English people in the audience laughed at the scenes in Greenwich.

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The next morning, I caught the train to York, en route to Perth and London