Cover art process: Welcome to the Bitch Bubble

FirstCurrent events have made it a little tricky for authors & publishers to celebrate new books and get them to you. This book comes out in May, but is available for preorder now. Please consider doing so!

A month ago, Lauren Dixon and Hydra House Books announced the cover for her new collection, Welcome to the Bitch Bubble.

The process for this one began with a breakfast conversation at the World Fantasy Convention hotel in LA in 2019.

From there, I received the manuscript and worked through it, thinking of treatments (how best to capture vigour vs whimsy, how to handle colour vis-a-vis the title, etc).

As usual, I made some accordion-fold sheets of drawing paper and drew my way through the stories, catching images that were particularly resonant.

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And, of course, getting distracted by skeletons in sundresses. Here I am making a cyanotype print of the cutout.

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(You can also see, above, that I was playing with some of the silhouette treatments I tried at the Illustration Master Class.)

Using these, I put together the initial thumbnail-sketched ideas. You can see me working to find a synthesis between my usual gentler style and the raw aggression of some of Lauren Dixon’s writing!

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Lauren and Tod came back with their thoughts on direction and colour, and from those I put together the next set of more detailed sketches. You can see how elements of the different thumbnails were recombined.

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The sketches above were for the idea that was always the frontrunner, but there were a couple of others we liked, so I played with them too (presumably avoiding other deadlines).

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I still really like those hair legs and would like to do a cover with them!

After that, I enlarged the sketch and used it as a rough base to make the more detailed final pencil drawing. This is the stage where all the strands and leaves and limbs have to link so that they hold together when I cut them out.

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I then used those pencils to trace down the lines onto black paper (remembering to flip them! I don’t always remember to do this), and cut them out.

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Once the silhouette was cut out and scanned, we kept trying out different combinations of colour and texture (the more gleeful of us clamouring for garishness, the more sober attempting to rein us in).

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And then, over to Tod (of Hydra House) to bring it home!

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Welcome to the Bitch Bubble is available for preorder now, and given what current events are doing to launches, conventions, bookstores, etc, it would be great if — if this sounds at all like your sort of book! — you’d consider preordering through the links here or a good independent bookstore near you.