March 20, 2017
This is a cut paper piece (c 8×8 inches) that I made for Light Grey Art Lab‘s exhibition TOBEYOU: personal narratives, tales and memory.
It is called “Into the Woods”, and is about growing up reading fairytales when you live in the Australian bush. The protagonist of the illustration is far more willowy and on-trend than I ever was when I did this.
The original is for sale at Light Grey Art Lab (in Minneapolis, and on their website), along with many, many other beautiful works of art.
I also made a few cyanotype prints (sunprints) of the illustration.
March 10, 2017
Posted by tanaudel under art process
, book cover
| Tags: book cover
, cover art
, ellen kushner
, serial box
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Here is the cover art for the final episode of Season 2 of Serial Box’s serialised prequel to Ellen Kushner’s Riverside novels, Tremontaine!
The final episode of a season is almost as difficult to illustrate as the overall season cover. How to represent what happens in this particular episode, while being true to the overall arc of the season and catching the right elegiac or hopeful note…
As a result, there were a lot of thumbnail sketches.
We went with the image of a Kinwiinik ship taking to the waves. Here are the final pencils.
And at last, alas, the finished cover (I’m particularly fond of the poppies). The final layout and design is, as ever, by Charles Orr.
March 3, 2017
Very recently I had the great pleasure of doing my first illustration for Strange Horizons. It was for Philip A. Suggar’s surreal and charming story “London Calling“.
Some of my patrons had the chance to see early progress pictures and some more detailed process description (and so can you: Patreon). But the art is out now!
Here are some of the early thumbnail sketches.
We chose the top right one, and I touched in some soft colours to test them. I still really like this thumbnail, and would like to do something in this style! But it wouldn’t have worked so well on a large scale.
I also played around with some cyanotype versions.
Then it was on to developing the pencils, and adding digital colour.
You can read the story here: “London Calling”.
(And don’t forget: you can see sneak-peeks, hear early project news and help support my independent projects if you’re a supporter through Patreon.)
March 1, 2017
A lady who Gets Things Done.
Digital colours over a pencil sketch, playing with some techniques and influences including (but not limited to) Blexbolex‘s way with overlays and early 20th century Australian circus costumes, particular as recorded in Mark St Leon’s history Circus: The Australian Story.
In other news, so many covers announced this week, making me look very efficient. I will start posting them here soon, or stay tuned on Twitter and Facebook.
February 9, 2017
A little pencil foolishness, with colour added on the computer. There are some offset perspectives happening here but OH WELL, I like the little Gibson Harpy.
February 3, 2017
The Illustration Friday topic is “mischief”, which has a rather softened meaning in modern English.
The illustration, however, turned into the love child of The Cheshire Cat and Tailypo, and other things that hang head-down from the trees and whisper to you.
I’ve also been playing around with cyanotypes (sun prints), so here is a print made with the original silhouette.
January 30, 2017
As you may have noticed, I’ve started a Patreon account. That lets people be involved with the process of creating my personal art – like this calendar! If you’d like to join in, that would be lovely.
This month, with the input and support of my patrons, I decided on Sleeping Beauty (it’s also the current fairy tale under discussion for the Australian Fairy Tale Society).
I will be developing it into a repeating design, but I had a couple of other end-January deadlines, such as finishing the first round of edits on an Australian Gothic novella! In the meantime, this version of it is up as a print, t-shirt, etc on Redbubble. (N.B. Patreon support helps there be more time for calendars and patterns:)
You can download the pages by clicking on the images below to print at home (no commercial use, please, without prior arrangement with me), either pre-coloured or to colour yourself.