I have a new desk, and an interview up at Light Grey Art Lab, about how I work, and new things I’ve been doing….

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LGAL Fairl Dark

Next week, I’m leaving Northampton for Minneapolis. I’ll be attending a workshop given by Nico Delort at Light Grey Art Lab – and some of my work will also be on display at the gallery!

The opening night details are on Light Grey’s Facebook page: Fairly Dark Opening Reception.

Scarlet - Color Anthropology

A wandering and selective history of the colour scarlet.

This is my contribution to Light Grey Art Lab’s current exhibition “Color Anthropology“. The original is a scratchboard piece, with the colour added digitally.

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Many thanks to my patrons, who helped me decide on colour placement when I lost the ability to decide!

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There is some stunning art in the exhibition (Lincoln Green, Orange and Saffron are my favourites), which you can check out online if Minneapolis isn’t on your itinerary. The art is also available as prints through the Light Grey shop.

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Into the Woods - TOBEYOU exhibition

This is a cut paper piece (c 8×8 inches) that I made for Light Grey Art Lab‘s exhibition TOBEYOU: personal narratives, tales and memory.

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It is called “Into the Woods”, and is about growing up reading fairytales when you live in the Australian bush. The protagonist of the illustration is far more willowy and on-trend than I ever was when I did this.

The original is for sale at Light Grey Art Lab (in Minneapolis, and on their website), along with many, many other beautiful works of art.

I also made a few cyanotype prints (sunprints) of the illustration.

Into the Woods - TOBEYOU exhibition

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Welcome to Midnight, Light Grey Art Lab’s exhibition of dreams, which has opened today in Minneapolis and online.

Prints of the artworks are available for purchase, and there is a a permanent exhibition online.

I’d been keeping track of dreams out of curiosity, and began to focus on a series of dreams I had which I clearly recognised as anxiety dreams from the last time I was at university: snakes, searches, war, volcanoes. This time, however, everything was always dealt with calmly and ended happily. Also there was a dream about pineapple butterscotch upside-down-cake.

I narrowed the choices down to a dream about taking shelter in a zoo in an office building in a wartorn city. I don’t dream in my own style, and the strongly backlit scene from the dream was a new approach to try.

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After a series of tests, I decided to do a pen and ink drawing with digital colour (I kept panicking about getting the yellow wrong, and was submitting the art digitally for this exhibition).

And here is the final piece, The Peaceable Kingdom. You can even try your hand at dream interpretation, if you so desire.

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Lana Crooks

Lana Crooks

Lana Crooks is the fifth member of Light Grey Art Lab‘s 2016 Iceland Residency: Team Mist to volunteer to be introduced. Previous interviews are all linked on this post: Iceland.

K: What lights you up about what you do?

Lana: I enjoy trying to figure out shapes and patterns and new way to build forms. I spend a lot of time researching so it makes me feel like I am unwrapping mysteries. I started out as an illustrator so I still like to bring some narrative into the works as well.

K: Do you have an example?

Lana: Snake oil was a piece for an exhibit called Zealots Elixir at Modern Eden, It was my first attempt at a snake skeleton. Each vertebrae is 7 individual pieces of fabric so it is a pretty good example of translating the flat to the 3D.

 

Snake Oil by Lana Crooks

Snake Oil by Lana Crooks

 

Snake Oil by Lana Crooks

Snake Oil by Lana Crooks

K: And where can we find you online?

Lana: I am at www.lanacrooks.com and @lanacrooks on Instagram

Betsy Bauer is the fourth member of Light Grey Art Lab‘s 2016 Iceland Residency: Team Mist to volunteer to be introduced. Previous interviews are all linked on this post: Iceland.

K: What lights you up about what you do?

Betsy: I think creating concept artwork for animation is particularly exciting because you see your ideas realized by other artists.  It’s so rewarding to see a character or prop that I have designed translated into 3D by the modeling and surfacing departments.  Animation is such a collaborative medium!

K: Do you have an example?

Betsy: This isn’t really a great example of what I’m talking about because it’s hard to show that, but I do really like this image. :).

by Betsy Bauer

by Betsy Bauer

K: And where can we find you online?

Betsy: betsybauerART.com