Story shapes and extrapolation

Recently, I’ve been revisiting this three-mood approach to story patterns (last posted about here Observation Journal — Story Patterns). I will probably continue to do so. [And later edits are indicated with a note and/or italics.]

Current thoughts are that breaking a short story into three big moods has proved useful in several ways. These include:

  • Recording my impression of a short story I’ve read.
  • [Edited to add:] Understanding story structure.
  • Borrowing a cage to trap a story idea, or a frame to train the story to grow on.
  • Guided extrapolation.

I’ve outlined these more below:

(A caveat, as ever, that I use “moodvery broadly, to include mood, texture, tone, trope, attitude, posture, allusion, reaction…)

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