It comes with some useful links (although I’ll let you know more about pre-orders as that becomes available) and a few lovely words from Kelly Link, Holly Black, C.S.E. Cooney and Brooke Bolander — authors whose way with stories I very much admire.
I am extremely delighted with this cover, for which the designer and art directors should get most of the credit (and I adore the typeface), and I can’t wait (I must wait!) for the book to be a real thing in the world.
Tor.com have bought my Australian Gothic novella Flyaway! I’m so excited to be working with them on this. It was the subject of my MPhil (Master of Philosophy) research (oh, and I’ve finished the degree, and have the certificate!) and soon(ish — next year) it will be out in the world as a real book, oh my goodness.
Huge thanks to Ellen Datlow, editor for Tor.com, and Angela Slatter, story doctor extraordinaire, for all they contributed, and to publisher and art director Irene Gallo who let me have Audrey Benjaminsen’sbeautiful art. I think it’s the first time a story of mine has been illustrated by someone else and I think it is remarkable. I keep staring at all the little details. Thanks also to Noa Wheeler, copyeditor, who gamely catalogued all the careless inventions and copy-edited with an ear for the weird structures, and to Jodi Cleghorn who kickstarted me into writing this particular project when I was focussed on drawing.
Also, a word to the wise: baroque stylings exponentially increase editing difficulty. Thanks here to C.S.E. Cooney who is the sort of person you want on your side to find replacement words that slot into a particular matrix of sense, feeling, alliteration and anachronism. And also to Amber Gwynne, who diagnosed me with semantic exhaustion.