The story kind-of-sort-of-maybe exists in the same world (or continuum of worlds) as “Kindling” (in Light Touch Paper, Stand Clear and Year’s Best Australian Fantasy and Horror 2012) and “Skull and Hyssop” (Lady Churchill’s Rosebud Wristlet #31 and Prime’s Year’s Best Science Fiction and Fantasy 2015).
Huge thanks to Ellen Datlow, editor for Tor.com, and Angela Slatter, story doctor extraordinaire, for all they contributed, and to publisher and art director Irene Gallo who let me have Audrey Benjaminsen’s beautiful art. I think it’s the first time a story of mine has been illustrated by someone else and I think it is remarkable. I keep staring at all the little details. Thanks also to Noa Wheeler, copyeditor, who gamely catalogued all the careless inventions and copy-edited with an ear for the weird structures, and to Jodi Cleghorn who kickstarted me into writing this particular project when I was focussed on drawing.
Also, a word to the wise: baroque stylings exponentially increase editing difficulty. Thanks here to C.S.E. Cooney who is the sort of person you want on your side to find replacement words that slot into a particular matrix of sense, feeling, alliteration and anachronism. And also to Amber Gwynne, who diagnosed me with semantic exhaustion.